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Movies & TV

Will Jennings, Co-writer of ‘My Heart Will Go On,’ ‘Tears in Heaven’ and Other Classics, Dies at 80

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Bernardo Bertolucci’s Unfinished Film ‘The Echo Chamber’ Being Shopped at Toronto Film Festival

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How ‘Wild Robot’ Expands on — and Deepens — Peter Brown’s Book

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Happy Birthday ESPN! Linda Cohn and Hannah Storm Reflect on the Worldwide Leader’s Impact on Women’s Sports

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14 Buzzy Films for Sale in Toronto, and What It Means for the Indie Film Market

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XYZ Films COO on Launching Henry Golding Sci-Fi Romance ‘Daniela Forever’ at TIFF and How the Genre Specialist Became an Indie Studio

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Joseph Kahn on Toronto-Bound ‘Wholesome’ Horror ‘Ick’: ‘My Objective Is Not to Scare You. It Is to Thrill You’

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PETA Activists Protest Pharrell Williams ‘Piece By Piece’ Press Screening at Toronto Film Festival

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TrustNordisk Adds Sales on ‘The Quiet Ones’ (EXCLUSIVE)

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Max Minghella Breaks Out of His ‘Shell’ With Black Comedy Starring Kate Hudson and Elisabeth Moss

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‘Horizon: An American Saga – Chapter 2’ Review: Kevin Costner’s Ambitious Western Project Frustrates Once Again

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Toronto Premiere ‘U Are the Universe’ Offers Star-Crossed Love in Interstellar Ukrainian Sci-Fi Dramedy, Drops Teaser (EXCLUSIVE)

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‘Senna’ Producer Gullane Preps Sequel to Animated ’Noah’s Ark’ (EXCLUSIVE)

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The Best Instant Cameras in 2024: From Polaroid to Instax

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More Ambitious Indigenous Pics Search for International Audiences and Deals at Toronto Festival

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‘Familiar Touch’ Review: An Exquisite Study of Living With Dementia That Puts Its Perspective In the Right Place

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Brett Goldstein on His Toronto Romance ‘All of You’: ‘I Rarely Say This — I’m Really Proud of It’

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Vietnamese Director Duong Dieu Linh’s ‘Don’t Cry, Butterfly’ Scores Top Venice Critics’ Week Prize

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How Anderson .Paak’s Son Inspired His Directorial Debut, ‘K-Pops!’

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Toronto Looks to International for Growth

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Ontario’s Behind-the-Camera Talent Boom Sparks Hollywood Collaborations With Global Impact

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Kevin Costner Says Scrapped ‘Horizon 2’ Theatrical Release Was ‘Probably a Reaction’ to First Film’s Box Office Performance: ‘It Didn’t Have Overwhelming Success’

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Visit Films Takes World Sales Right for Dystopian Tale ‘40 Acres’ Starring Danielle Deadwyler (EXCLUSIVE)

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‘Happy Holidays’ Review: A Dynamic Palestinian Family Drama Chronicles Arab and Jewish Lives in Israel

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Saudi Film Pioneer Faisal Baltyuor Launches First Arthouse Cinema in Riyadh, Where Titles Will Include ‘The Zone of Interest,’ ‘Fallen Leaves’ (EXCLUSIVE)

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Far-Right Radicalization Story ‘The Quiet Son’ Takes Venice Impact Award

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Tomas Alfredson Stands by Decision to Turn Bergman-Penned ‘Faithless’ Into Series: ‘It Would Be Different if I Remade “The Seventh Seal”’

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Director Janicza Bravo Squashes Hopes for More Seasons of Rebecca Hall Starrer ‘The Listeners’: ‘There’s Something Sexy About Saying It’s Just This’

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Poland’s Damian Kocur Follows ‘Bread and Salt’ With Ukraine-Centered ‘Under the Volcano,’ Debuts Trailer: ‘It Was Important to Mark My Solidarity’ (EXCLUSIVE)

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‘Diva Futura’ Review: An Unconvincingly Bouncy Biopic of an Idealistic Italian Pornographer

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‘We Live in Time’ Review: You Can’t Scramble a Love Story Without Breaking a Few Eggs

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Andrew Garfield and Florence Pugh Bring Steamy Sex, Sobs and Wild Birthing Scene to TIFF With ‘We Live in Time’

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Elton John Talks Fame, Family and Coming Out: “I Was Being Honest”

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Toronto: ‘Unstoppable’ and ‘We Live in Time’ Both Very Moving, But Face Uphill Awards Climbs

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Elton John Cries as Intimate Documentary Looking Back on His Life Premieres at TIFF: ‘On My Tombstone, I Want It to Say He Was a Great Dad’

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Toronto Fest Embraces Mike Leigh’s ‘Hard Truths’

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‘Unstoppable’ Review: Jharrel Jerome and Jennifer Lopez in the Rare Sports Crowd-Pleaser You Can Believe In

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KLOS-FM Fires Afternoon Hosts Kevin Ryder and Doug ‘Sluggo’ Roberts, Latest In Stream of Cuts at Owner Meruelo Media

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New Linkin Park Singer Emily Armstrong Responds to Criticism Over Danny Masterson Support

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‘Hard Truths’ Review: You Can’t Help but Love a Bitter Marianne Jean-Baptiste in Mike Leigh’s Slender Sketch

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At Variety’s TIFF Cover Party, Demi Moore Says ‘The Substance’ Has ‘Powerful Themes About Aging and Beauty’

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Jason Reitman’s ‘Saturday Night’ Movie to Make Awards Push Early in Theaters

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Jennifer Lopez, Matt Damon (but No Ben Affleck) Bring Inspirational Sports Drama ‘Unstoppable’ to Toronto

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‘Unstoppable’ Director Thanks Producer Ben Affleck as Jennifer Lopez Film Premieres at Toronto

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Luminate Streaming Ratings: ‘The Deliverance,’ ‘Worst Ex Ever,’ ‘The Rings of Power’ Lead a Sleepy Summer Frame Aug. 30-Sept. 5

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‘Men of War’ Review: Masculine Bravado Runs Amok in Doc Examining How a Coup Failed in Venezuela

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‘Saturday Night’ Shifts Two Weeks Earlier With Platform Release in September

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