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Mon Sep 2
Sun Sep 1
Andrew Garfield, Florence Pugh to Close San Sebastian Film Festival With John Crowley’s ‘We Live in Time’
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Ethan Hawke Wanted to Make Richard Linklater’s Upcoming ‘Blue Moon’ 12 Years Ago, but the Director Said He Was ‘Still Too Attractive’: ‘We Need to Wait a While’
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Ethan Hawke Compares Acting to “the Joys of Doing Drugs,” Talks About Being “Slightly Disappointed That I’m Not a Wizard or a Jedi”
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True Colours Picks Up Toronto-Bound Ukrainian Sci-Fi Dramedy ‘U Are the Universe’ (EXCLUSIVE)
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‘Better Man’ Review: Robbie Williams Biopic Would Be a Snooze, but for the Wild Choice to Depict Him as a Chimp
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Kenyan Sci-Fi Series ‘Subterranea’ Set at Showmax, Trailer Unveiled (EXCLUSIVE)
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Pop Icon Peaches and Filmmaker Marie Losier Decentralize Cool With Venice Doc ‘Peaches Goes Bananas’
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MPA Europe Chief Stan McCoy Talks Hollywood’s Concerns as New EU Parliament Takes Charge
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China Box Office: ‘Alien: Romulus’ Chinese Haul Overtakes North American Total
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Luxbox Boards Religious Drama ‘Marie & Jolie,’ Starring Aïssa Maïga, Laetitia Ky (EXCLUSIVE)
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‘Nickel Boys’ Review: RaMell Ross Breaks Free of Reform-School Tropes, but Loses the Plot in the Process
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Telluride: ‘The Apprentice’ Filmmakers Discuss Blind Criticisms of Their Movie, Offer to Screen It for Trump, Think He Will Like It
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Korea Box Office: Lim Young-woong Concert Film Takes Weekend Honors Ahead of ‘Alien: Romulus’
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