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Movies & TV

Disney Goes Dark on DirecTV in Contract Fight Over Fees for ESPN, ABC, Disney Channel, Freeform and More

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‘September 5’ Is the Hot Sales Title for Studios Seeking a Worthy Best Picture Contender

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Brad Pitt and George Clooney Whip Venice Film Festival Into a Frenzy With ‘Wolfs’ World Premiere

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Brad Pitt and George Clooney Dance to 4-Minute Standing Ovation for ‘Wolfs’ During Chaotic Venice Premiere

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‘Saturday Night’ May Score a Best Picture Invitation to Oscar Sunday

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KC Fox, ‘The Girl With the Dragon Tattoo’ and ‘Speed’ Set Decorator, Dies at 70

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Amazon Prime Video’s New Releases Coming in January 2025

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‘Wolfs’ Review: George Clooney and Brad Pitt Are Rival Fixers in a Winning Action Comedy Spiked With Movie-Star Chemistry

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Angelina Jolie Could Sing Her Way to Second Oscar Win Playing a Legendary Diva in Pablo Larrain’s ‘Maria’

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George Clooney Praises Biden for Ending Campaign: ‘Most Selfless Thing a President Has Done’

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16 Best Movies New to Streaming in September: ‘Civil War,’ ‘Wolfs,’ ‘The Boy and the Heron’ and More

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‘Heartstopper’ Star Kit Connor Says Filming Season 3 Sex Scenes Took ‘About Seven Hours’: ‘We Shot a Lot of Footage’

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‘Harry Potter’ Star Bonnie Wright Wants Ginny’s ‘Nuanced Moments’ From Books Added in HBO TV Series

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Brady Corbet’s Wildly Ambitious Period Epic ‘The Brutalist’ Blows Minds at Venice Premiere, Gets 13-Minute Standing Ovation

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‘I’m Still Here’ Review: Walter Salles’ Profoundly Moving Sense-Memory Portrait of a Family — and a Nation — Ruptured

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Adrien Brody Is Overcome With Emotion as Brady Corbet’s Devastating Immigrant Story ‘The Brutalist’ Gets 12-Minute Venice Ovation

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Venice’s ‘The Witness’ Adds Sales, Trailer Debuts, Director Talks Iran Situation, Working With Jafar Panahi (EXCLUSIVE)

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Telluride: Don’t Bet Against Sebastian Stan, Jeremy Strong’s Oscar Prospects for Trump Origin Story ‘The Apprentice’

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Peter Weir Was Forced to Intervene With Mel Gibson, Sigourney Weaver’s “Bad” Kissing

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‘Deadpool & Wolverine’ Crossing $600 Million Domestically, Leads Box Office Over Dreary Labor Day Weekend

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George Clooney Denies $35M ‘Wolfs’ Salaries for Him, Brad Pitt: “It’s Bad If That’s What People Think”

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Caleb Landry Jones on Athina Rachel Tsangari’s Venice Entry ‘Harvest,’ Auditioning for ‘Star Wars’ and How Luc Besson’s Upcoming ‘Dracula’ is a ‘Touching Story’ About ‘Love Being Ripped Away From You’

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‘The Brutalist’ Review: Director Brady Corbet Breaks Through in His Third Feature, an Engrossing Epic Starring Adrien Brody as a Visionary Architect

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George Clooney Addresses Impact of His Op-Ed on U.S. Presidential Race: “Biden Gets All the Credit”

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George Clooney Says Biden Is ‘Most Selfless’ President Since George Washington for Dropping Out of Presidential Race Against Trump: ‘All the Credit Goes to Him’

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‘Wolfs’ Director Jon Watts to Miss Venice World Premiere After Catching COVID

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‘Peacock’ Review: A Zingy Austrian Comedy Follows a Friend-For-Hire In Desperate Need of a Real Connection

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Director Brady Corbet Gets Emotional Discussing Staggeringly Ambitious Post-War Epic ‘The Brutalist’

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Brady Corbet Says Discourse Around Film Runtimes Is ‘Quite Silly’ as He Premieres 215-Minute ‘The Brutalist’: ‘We Should Be Past That, It’s 2024’

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Richard Gere Jokes He Had “No Chemistry” With Julia Roberts in ‘Pretty Woman’

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Richard Gere Talks Improvising ‘Pretty Woman’s’ ‘Sexy’ Piano Scene and Why His Character Was ‘Criminally Underwritten’: ‘It Was Basically a Suit and a Good Haircut’

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‘Boomerang’ Review: A Fresh, Leisurely Look at a Changing Tehran

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‘Saturday Night’ Review: Jason Reitman Finds the Right Ensemble to Capture the Lunacy From Which ‘SNL’ Was Born

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Ghosts of German Past From Leni Riefenstahl to the Munich Olympics Unspool at Venice Festival

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Venice Contenders ‘Maria,’ ‘Brutalist’ and Blockbuster ‘Dune’ Among Global Productions Fueled by Hungary’s Artisans

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Martin Scorsese, George Lucas, Film Heritage Foundation’s Venice-Bowing Indian Classic ‘Ghatashraddha’ Restoration Unpacked (EXCLUSIVE)

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‘Mistress Dispeller,’ Elizabeth Lo’s Venice Documentary, Puts Love Triangle in the Hands of a Paid Disruptor: ‘Seductive Approach Was Compelling to Financiers’

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Story of Giancarlo Parretti, Flamboyant Italian Financier Who Bought MGM and Was Ousted, Is Headed to the Big Screen (EXCLUSIVE)

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Telluride: For a Towering Turn in ‘Maria,’ Angelina Jolie Is in the Hunt for a Second Oscar

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Oliver Stone Says Robert Downey Jr. Nearly Ruined ‘Natural Born Killers’ With “Slapstick Bullsh**”

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‘The End’ Review: Tilda Swinton and Michael Shannon Took Shelter, but 20 Years Underground Starts to Get Tedious

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