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Movies & TV

Venice Trips Out on Harmony Korine’s ‘Baby Invasion’

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We Survived ‘Baby Invasion’: Inside Harmony Korine’s Insane Experimental Film That Earned an 8.5-Minute Standing Ovation at Venice

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‘Cloud’ Review: An Online Grift Has IRL Consequences in Kiyoshi Kurosawa’s Compellingly Wonky Thriller

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California Passes Law Requiring Consent for AI Digital Replicas of Dead Performers

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Harmony Korine’s ‘Baby Invasion’ Delivers Wild Message From Mercenary Group Duck Mobb: “Nobody Is Safe”

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‘Zurawski v Texas’ Review: A Disquieting Documentary on the First Patient-Plaintiffs Seeking Abortion Rights Since Roe v. Wade

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‘Baby Invasion’ Review: Harmony Korine’s Latest Brain-Barf Synthesizes a Career’s Worth of Big Ideas

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Justin Kurzel’s Neo-Nazi Thriller ‘The Order’ Debuts at Venice Film Festival With Lengthy Standing Ovation

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Jude Law Is Officially Back After 7-Minute Standing Ovation at Venice for Fighting White Supremacy in ‘The Order’

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‘The Order’ Review: Jude Law and Nicholas Hoult in an Explosive Crime Drama About the White-Supremacist Cult of the 1980s

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Fatman Scoop, ‘Be Faithful’ Rapper, Dies After Collapsing on Stage

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It Takes Time to Become a Hero in Venice Days Feature ‘To Kill a Mongolian Horse’

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Voice Actor Jennifer Hale on Video Game Strike and AI Fears: ‘You’re Using Technology to Take Away Our Ability to Feed Our Kids’

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Telluride Doc ‘The White House Effect’ Reveals How George H.W. Bush Administration Deliberately Destroyed an Opportunity to Stop Climate Change

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Telluride: ‘The Piano Lesson’ Angles to Be Latest August Wilson Adaptation to Land Oscar Recognition

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Box Office: ‘Deadpool & Wolverine’ Crosses $600M to Rule Labor Day, ‘Reagan’ in Close Race for No. 3

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Ghosts of Germany’s Past Evoked in Venice Films ‘Riefenstahl,’ ‘September 5’

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‘Battleground’ Review: The Cure is Often Worse Than the Disease in a Turgid WWI Medical Drama

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‘The Searchers,’ ‘Shaun of the Dead,’ ‘No Country For Old Men’ and More Arrive on Disc in December

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‘The White House Effect’ Review: How the U.S. Government’s Global Warming Fight Went Cold

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Roland S. Martin Enlists Social Media Political Sensation Knowa De Baraso for Black Star Network

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Beatlemania Is Back in ‘TWST – Things We Said Today,’ but Don’t Expect Another Pop-Music Doc (EXCLUSIVE)

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Box Office: ‘Deadpool & Wolverine’ Topping Charts in Sixth Weekend as ‘Reagan’ and ‘Afraid’ Post Quiet Opening Days

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Harmony Korine Puffs Cigar, Talks Inspiration for First-Person Shooter Art Film ‘Baby Invasion’: “You’re Starting to See Hollywood Crumble Creatively”

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‘And Their Children After Them’ Review: A Delinquent Crime Echoes Through the Years In an Overblown Youth Melodrama

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Israeli Director Amos Gitai Dismisses Calls for Venice Title ‘Why War’ to Be Boycotted

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Harmony Korine Says Hollywood Is Starting to ‘Crumble Creatively’ While Smoking Cigar at Venice Press Conference: ‘Movies Are No Longer the Dominant Art Form’

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WWE Bash In Berlin 2024 Livestream: Here’s How to Watch the Pro Wrestling Event Online

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Jude Law, Nicholas Hoult Went to a Dark Place to Explore American Racism in Neo-Nazi Crime Thriller ‘The Order’

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Jude Law Says Neo-Nazi Crime Thriller ‘The Order’ ‘Needed to Be Made Now’: ‘Sadly, the Relevance Speaks for Itself’

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‘The Wasp’ Review: Naomie Harris and Natalie Dormer Play Old Friends With Fresh Grievances

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Venice: Amos Gitai Rejects Calls for Boycott of New Film ‘Why War’

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Thomas Vinterberg Says Venice’s Own Flooding Concerns Made It ‘Obvious Choice’ for Launch of Climate Change Miniseries ‘Families Likes Ours’

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Nicolas Winding Refn on Revisiting His Origin Story With ‘Pusher’ and Why He Won’t Be Making That ‘Barbarella’ Adaptation

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Oasis Warns Against Reselling as Fans Report Technical Issues Getting Tickets for Reunion Tour

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Marco Bellocchio’s ‘May I Say? Chapter Two’ Debuts Clip Ahead of Venice Premiere (EXCLUSIVE)

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Japanese Auteur Kiyoshi Kurosawa on Making His Anti-Capitalist Action Film ‘Cloud’

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‘Conclave’ Review: Ralph Fiennes, Looking Tortured, Leads a Tense Search for a New Pope

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‘The Friend’ Review: Naomi Watts Inherits a Handful in a Dog Movie That’s Really About Accepting Mortality

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Pharrell Is a Lego and Robbie Williams Is a Monkey in Two Music Biopics Aiming for Oscar Attention

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Brooke Shields’ Daughter Learned of Mom’s Sexual Assault While Watching ‘Pretty Baby’ Doc

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Telluride: Could ‘Conclave’ Be the Film that Finally Brings Ralph Fiennes an Oscar?

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Zoe Saldaña Has Arrived for Her Oscar Moment in the Best Picture Contender ‘Emilia Pérez’

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Drew Barrymore Says She Regrets Being an ‘Exhibitionist’ in Her Youth, ‘Playboy’ Cover

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