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Hyperallergic

Artists Reflect on 9/11 and the Wounds of the “War on Terror”

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Kathleen V. Jameson Named Speed Museum Director

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Brooklyn Museum Displays Work of Artist Killed in 9/11 on 25th Anniversary

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A Portrait of an Artist as a Dominatrix

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Tschabalala Self’s Splendid “Lady in Blue” Graces London’s Fourth Plinth

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OCAD University Presents Canada's Pavilion at the 2026 Gwangju Biennale

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Hyperallergic Writers Among 2026 Rabkin Prize Recipients

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Art Books and Scholarship from the National Gallery of Art

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Testicle Art Is So Back

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Announcing the 2026 Rabkin Prize Winners

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Lonnie Bunch’s Resignation Is a Wake-Up Call

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The Counterpublic Triennial’s New Kind of Public Space

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Remembering Jean-François Leroy, Lucien Smith, and Jibby Beane

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A Brief History of Testicle Art

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Striking Workers Shutter Three V&A London Locations

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Trust in US Museums Grows Across Party Lines, Survey Finds

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Women Painters Lead Brazil’s New Wave of Figuration

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Voices in Print: New Jersey Black Women Printmakers Shaping the American Narrative

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Lonnie G. Bunch Has Had Enough

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A New Batch of Art-World Novels

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An Art-Filled Fall in Upstate NY

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For Sophie Lewis, Femininity Is Not the Enemy of Feminism

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How Korean Paper Became War Collateral

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Trump-Ousted Kennedy Center Chairman Buys Removed Shapiro Sculpture

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Artist Lucien Smith, Fixture of NYC’s Downtown Scene, Dies at 37

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The Law & Order Writer Who Moonlights as an Artist

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Smithsonian Secretary Lonnie Bunch Steps Down Amid Trump’s Attacks

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Renoir Artworks Worth Millions Stolen in Five-Minute Heist in France

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Apply for a 2027–2028 Fellowship at the Smithsonian American Art Museum

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America in the Making

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15 US Museum Shows We Can’t Wait For

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15 Museum Exhibitions to See Across the US This Fall

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Preserving Ernie Barnes’s Legacy in Paint Tubes

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The Artist Residency That Never Was

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The Pine Trees That Would Not Leave Me

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In Queens, Immigrant Women Sew a Truer Atlas

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Art Books We’re Reading This Fall

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It Doesn’t Get Better Than This

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15 Art Books for Your Fall Reading List

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Trump to Break Ground on “Triumphal Arch” Before Federal Approval

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LA’s Lucas Museum Displays “Narrative Art” for the Few, Not the People

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A View From the Easel

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Nordic Textile Takeover: The Cold Stitch

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Ann Patchett and Crying at The Met

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Mildred Howard Wins Artists’ Legacy Foundation Award

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ICE Seizes 22,000 Antiquities in Florida

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China Withdraws from Gwangju Biennale in Protest of Taiwan’s Inclusion

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In “Whistler,” Ann Patchett Tackles Loss and Art

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10 Art Shows to See in Upstate New York This September

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