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Why David Boies Thinks We Should Support Trump’s Iran War

Were the 2026 Oscars a Swan Song for Warner Bros.?

As Movies Adapt to the Times, the Oscars Can Only Look On

Daily Cartoon: Monday, March 16th

The 2026 Oscars Were a Protest Against Their Own Irrelevance

“Then,” by Jorie Graham

“The Life You Want,” Reviewed

“Réservoir,” by Tova Gannana

Who Bankrolled the American Revolution?

What’s Behind Trump’s New World Disorder?

Wendy Red Star Gets Her Bag

Seeking a Second Passport

Rolling Out Our New A.I. Tools

Maira Kalman’s “Amid It All”

Lisa Kudrow Is Back—Again

Letters from Our Readers

Junior LaBeija, Master of Ceremonies

How to Be Your Own Super

How Zac Posen Went from Making Ball Gowns to Remaking the Gap

How Doodles Became the Dog du Jour

How Arsenio Hall Shook Up Late Night

Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed

Doctor Mike’s Internet Medicine

Briefly Noted Book Reviews

The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar

“My Balenciaga,” by Han Ong

Trump’s Mass-Detention Campaign

The Real Cost of a Meal at Noma

The New Faces of Christian Nationalism

Han Ong on Nora Aunor and Authentication

Han Ong Reads “My Balenciaga”

Big-Screen Remakes

What a Movie Set Looks Like When No One’s Performing

What Went Wrong When Susan Sontag Met Thomas Mann?

How White South Africans Are Reshaping the Mississippi Delta

How Israel Used the War in Gaza to Accelerate Settlements in the West Bank

Anthropic and Donald Trump’s Dangerous Alignment Problem

Pete Hegseth’s Holy War

Sheltering in Jerusalem and Looking at the Iran War

Chloé Zhao on “Hamnet,” Which Is Nominated for Eight Academy Awards

Can We Save Kids from Social Media?

Daily Cartoon: Friday, March 13th

“The Wild Party” Returns

“Project Hail Mary” Movie: A Review of a Sci-Fi Comedy

Why Do Mind-Altering Drugs Make People Feel Better?

Trump’s Inexcusable Unpreparedness for the Iranian Oil Crisis

The Feminist Visionary Who Lost the Plot

Why Donald Trump Doesn’t Want to Talk About the War in Iran

Daily Cartoon: Thursday, March 12th

“Love Story” and Why We Cling to the Kennedy Myth