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The Pentagon Wants an Obedient A.I. Soldier. Will It Get One?

Daily Cartoon: Wednesday, March 18th

“Judy Blume: A Life” and the Problem of Biography

Why Tech Bros Are Now Obsessed with Taste

The Iran War Is Another Reason to Quit Oil

Probability Calculator: Chances That Your Friend Bails Tonight

Daily Cartoon: Tuesday, March 17th

Israel’s Gulf-State Gamble in the Iran War

Illinois Primary-Election Results: Juliana Stratton Wins

How Should We Remember the Hippies?

Why David Boies Thinks We Should Support Trump’s Iran War

Were the 2026 Oscars a Swan Song for Warner Bros.?

As Movies Adapt to the Times, the Oscars Can Only Look On

Daily Cartoon: Monday, March 16th

The 2026 Oscars Were a Protest Against Their Own Irrelevance

“Then,” by Jorie Graham

“The Life You Want,” Reviewed

“Réservoir,” by Tova Gannana

Who Bankrolled the American Revolution?

What’s Behind Trump’s New World Disorder?

Wendy Red Star Gets Her Bag

Seeking a Second Passport

Rolling Out Our New A.I. Tools

Maira Kalman’s “Amid It All”

Lisa Kudrow Is Back—Again

Letters from Our Readers

Junior LaBeija, Master of Ceremonies

How to Be Your Own Super

How Zac Posen Went from Making Ball Gowns to Remaking the Gap

How Doodles Became the Dog du Jour

How Arsenio Hall Shook Up Late Night

Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed

Doctor Mike’s Internet Medicine

Briefly Noted Book Reviews

The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar

“My Balenciaga,” by Han Ong

Trump’s Mass-Detention Campaign

The Real Cost of a Meal at Noma

The New Faces of Christian Nationalism

Han Ong on Nora Aunor and Authentication

Han Ong Reads “My Balenciaga”

Big-Screen Remakes

What a Movie Set Looks Like When No One’s Performing

What Went Wrong When Susan Sontag Met Thomas Mann?

How White South Africans Are Reshaping the Mississippi Delta

How Israel Used the War in Gaza to Accelerate Settlements in the West Bank

Anthropic and Donald Trump’s Dangerous Alignment Problem

Pete Hegseth’s Holy War

Sheltering in Jerusalem and Looking at the Iran War

Chloé Zhao on “Hamnet,” Which Is Nominated for Eight Academy Awards