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Reading for the New Year: Part Three

Daily Cartoon: Wednesday, January 14th

The Lights Are Still On in Venezuela

Reality Shows for Your Thirties

Grok and the A.I. Porn Problem

“The Chronology of Water” Is an Extraordinary Directorial Début

Daily Cartoon: Tuesday, January 13th

What Comes After the Protests

Iran’s Regime Is Unsustainable

George Clooney’s Duolingo

Daily Cartoon: Monday, January 12th

“Men’s Beds,” by Richie Hofmann

“Changing Table,” by Meghan O’Rourke

The Supreme Court Gets Back to Work

The New York Shooting That Defined an Era

The I.R.S.’s Money Pit

The Dangerous Paradox of A.I. Abundance

The Backcountry Rescue Squad at America’s Busiest National Park

Reflections

Planes, Trains, and Maduro-mobiles

Peter Doig’s Histories of Ink

Mom and Dad: The Performance Review

Letters from Our Readers

How to Serve Like Marty Supreme

How to Recover from Caring Too Much

How WhatsApp Took Over the Global Conversation

How Marco Rubio Went from “Little Marco” to Trump’s Foreign-Policy Enabler

Briefly Noted Book Reviews

The Bloody Lesson the Ayatollah Took from the Shah

“Kim’s Game,” by Sadia Shepard

Sadia Shepard on Loss, Faith, and the Web Between Stories

Sadia Shepard Reads “Kim’s Game”

Restaurant Review: Cove

Patrick Radden Keefe on Truman Capote’s “In Cold Blood”

Denmark Is Sick of Being Bullied by Trump

What Makes the Iranian Protests Different This Time

The Robot and the Philosopher

TV Review: “Heated Rivalry,” Streaming on HBO Max and Crave

Lagos Is a Vortex of Energy

How an Attack on Obamacare Saved Abortion in Wyoming

Donald Trump Was Never an Isolationist

Is Donald Trump Creating the Conditions for Another World War?

“Dead Man’s Wire” Is a Tangle of Loose Threads

Minneapolis Reacts to ICE’s Killing of Renee Nicole Good

Donald Trump’s New Brand of Imperialism

Does Every Marriage Need a Prenup?

The Gospel According to Emily Henry

Daily Cartoon: Friday, January 9th

What “The Pitt” Taught Me About Being a Doctor

The Zealous Voyagers of “Magellan” and “The Testament of Ann Lee”