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America’s “Bad Emperor” Problem

Chloé Zhao on “Hamnet,” Her Film About the Grief of William Shakespeare

Adam Schiff on How the Trump Administration Targets Its Opponents

Daily Cartoon: Friday, December 5th

The Best Films of 2025

How “The New Yorker at 100” Got to Netflix

Guanyu Xu’s Powerful Photographs of Immigration Limbo

Building a State of Fear in “Extremist”

Are We Getting Stupider?

War Is Peace, the Dozing Don Edition

Pete Hegseth, in the Tank

The Composer Making a Hip-Hop Musical About Anne Frank

Daily Cartoon: Thursday, December 4th

Mikie Sherrill Intends to Move Fast

MaestroClass: Learn Timeless Lessons from Experts of Yore

Does “Hamlet” Need a Backstory?

Why Is Trump Targeting Venezuela?

Samuel Beckett on the Couch

Daily Cartoon: Wednesday, December 3rd

What America Can Learn from Its Largest Wildfire of the Year

“Train Dreams” Is Too Tidy to Go Off the Rails

Daily Cartoon: Tuesday, December 2nd

When to Go to the Hospital for Childbirth

The Curious Notoriety of “Performative Reading”

The Best Podcasts of 2025

Book Review: Olivia Nuzzi’s “American Canto”

The Dishonorable Strikes on Venezuelan Boats

The Legal Consequences of Pete Hegseth’s “Kill Them All” Order

Daily Cartoon: Monday, December 1st

“Tornado Imagined from Far Away,” by Sharon Olds

“Blue Baby,” by Mary Jo Salter

When Participating in Politics Puts Your Life at Risk

What Makes Goethe So Special?

What Can Economists Agree on These Days?

The High-Born Rebel Who Took Up the Cause of the Commoner

The Best Albums of 2025

Tartuffe Times Two

TV Review: Tim Robinson’s “The Chair Company,” on HBO

Miriam Toews Reads Raymond Carver

Mamdani Family Values

Letters from Our Readers

Klaas Verplancke’s “White House of Gold”

Ibsen’s “Enemy of the People” Becomes a Spanish Opera

How to Make the Perfect Partner in 18 Easy A.I. Prompts

How the Sports Stadium Went Luxe

Hey, Kids! Get Yer Epstein Files Activity Fun Page!

Donna Lieberman Is at the Wheel

Briefly Noted Book Reviews

A Very Big Fight Over a Very Small Language

Tom Stoppard’s Radical Invitation