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How Much More Can Federal Workers Take?

Yo-Yo Ma on What Our Descendants Will Inherit

Daily Cartoon: Wednesday, October 15th

D’Angelo’s Genius Was Pure, and Rare

Kelly Reichardt’s “The Mastermind” Reinvents the Heist Movie

Among the Talibros

“A House of Dynamite” Is a Major Misfire from a Great Filmmaker

Daily Cartoon: Tuesday, October 14th

Parenting Currency Exchange Rates

Gaza’s Broken Politics

Do You Know What I Know?

Diane Keaton’s Shadows and Light

Why María Corina Machado Says That Trump Deserves Her Nobel Peace Prize

The A.I. Boom and the Spectre of 1929

The End of Israel’s Hostage Ordeal

Daily Cartoon: Monday, October 13th

“Library of Congress”

“I Consider Myself,” by Natan Last

Will Patrick McCollum Save Us All?

V. R. Lang, a Forgotten Queen Bee of Modern Poetry

To Each His Own

The Hunt for the World’s Oldest Story

Peter Matthiessen Travelled the World, Trying to Escape Himself

Letters from Our Readers

Inside the Trump Administration’s Assault on Higher Education

How Long Will You Live?

Harry Bliss’s “Cannonball”

Greg Cope White Asks and Tells

Did a Brother’s Quest for Justice Go Too Far?

Briefly Noted Book Reviews

Ask the Dog Doc

The Indictment of Letitia James and the Collapse of Impartial Justice

“Intimacy,” by Ayşegül Savaş

Tim Curry Does the Time Warp

The Real Problem Is How Trump Can Legally Use the Military

Restaurant Review: Chateau Royale

From Life in Prison to the Eras Tour

Ayşegül Savaş on the Space Between Imagination and Reality

Ayşegül Savaş Reads “Intimacy”

Alexandra Schwartz on Joan Acocella’s “The Frog and the Crocodile”

The Making of “Adaptation”

The Erotics of Coreen Simpson

What Does Donald Trump’s “War from Within” Mean in Practice?

Zohran Mamdani Says He’s Ready for Donald Trump

John Carpenter’s Three Favorite Film Scores

Daily Cartoon: Friday, October 10th

The Persistent Pull of Planet Epstein

Rose Byrne Hits the Motherlode

Rose Byrne Hits the Mother Lode

Misty Copeland’s Ballet Send-Off