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László Krasznahorkai and Contemporary Europe’s Perilous Reality

Trump, the Self-Styled “President of PEACE” Abroad, Makes War at Home

The Safe Space of “Good Hang with Amy Poehler”

Heather Christian, MacArthur’s Newest Genius

Why Hamas Agreed to Release the Hostages

A Cartoonist’s Journey to the Scene of a Riot

Hope and Grief in Israel After the Gaza Ceasefire Deal

Daily Cartoon: Thursday, October 9th

What Zohran Mamdani Knows About Power

Nixon Now Looks Restrained

ICE Job Postings

After James Comey, Who’s Next on Trump’s Revenge Tour?

The Virtuosic Maternal Freakout of “If I Had Legs I’d Kick You”

Kate DiCamillo on the Solace of Fairy Tales

The “Unfit” Mothers of Ariana Harwicz

Will A.I. Trap You in the “Permanent Underclass”?

Daily Cartoon: Wednesday, October 8th

Who Can Lead the Democrats?

Season 2 Update: Five Years Later

In the Dark: Season 2

A Musical Indictment of the Harris County Jail in “Criminal”

The Real Battle of “One Battle After Another”

The Volunteers Tracking ICE in Los Angeles

Daily Cartoon: Tuesday, October 7th

Starter Packs for Things You Will Start but Never Finish

NBA YoungBoy Stands Alone

Why Israel and Hamas Might Finally Have a Deal

What Will Bari Weiss Do to CBS News?

The Guts and Glory of “Indian Rodeo”

Daily Cartoon: Monday, October 6th

“Shapeshifter,” by Joy Harjo

“Bird Song,” by José Antonio Rodríguez

Tonatiuh Refashions Old Hollywood

These Black Boots Are Different from Those Black Boots

The Violent, Hilarious Return of “Hothead Paisan”

The Prime Minister Who Tried to Have a Life Outside the Office

Pan-African Dreams, Post-Colonial Realities

Letters from Our Readers

Keri Russell’s Emotional Transparency Has Anchored Three Decades of TV

How the Killing of Robert Brooks and a Strike Convulsed New York’s Prisons

Donald Trump’s Big Pharma Showdown Ends with a Whimper

Charlie Puth’s Overdue Jam Session

Briefly Noted Book Reviews

Brian Stauffer’s “Winds of Change”

Before Kimmel, the Smothers Brothers Ate It

Andrew Yang Goes Off the Grid

A Season of Rage at the Philharmonic and the Met

Do We Still Like Taylor Swift When She’s Happy?

Brandon Taylor on the Quandary of Black Art

Rebecca Mead on Mary Ellen Mark’s Photo from the Puerto Rican Day Parade