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Daily Cartoon: Monday, October 6th

“Shapeshifter,” by Joy Harjo

“Bird Song,” by José Antonio Rodríguez

Tonatiuh Refashions Old Hollywood

These Black Boots Are Different from Those Black Boots

The Violent, Hilarious Return of “Hothead Paisan”

The Prime Minister Who Tried to Have a Life Outside the Office

Pan-African Dreams, Post-Colonial Realities

Letters from Our Readers

Keri Russell’s Emotional Transparency Has Anchored Three Decades of TV

How the Killing of Robert Brooks and a Strike Convulsed New York’s Prisons

Donald Trump’s Big Pharma Showdown Ends with a Whimper

Charlie Puth’s Overdue Jam Session

Briefly Noted Book Reviews

Brian Stauffer’s “Winds of Change”

Before Kimmel, the Smothers Brothers Ate It

Andrew Yang Goes Off the Grid

A Season of Rage at the Philharmonic and the Met

Do We Still Like Taylor Swift When She’s Happy?

Brandon Taylor on the Quandary of Black Art

“Coconut Flan,” by Catherine Lacey

The Tangled Case of Karim Khan and the I.C.C.

Restaurant Review: Bartolo

Rebecca Mead on Mary Ellen Mark’s Photo from the Puerto Rican Day Parade

Donald Trump, Pete Hegseth, and the “War from Within”

Catherine Lacey on the Uses of Estrangement

Catherine Lacey Reads “Coconut Flan”

At the Edge of Peace

Why Did We Love “To Catch a Predator”?

What Happens to School Lunches in the MAHA Era?

The Original Brooklyn Selfie King

How Russell Vought Broke the U.S. Government

How Lionel Richie Mastered the Love Song

A Conservative Professor on How to Fix Campus Culture

Taylor Swift’s New Album, “The Life of a Showgirl,” Reviewed

How New Mexico Became a Sanctuary State for Health Care

Daily Cartoon: Friday, October 3rd

“After the Hunt” Is a Pleasurably Ludicrous House of Cards

The Complexities of Trans Gun Ownership

Man Ray’s Deadpan Wit on Display at the Met

Can the Democrats Take Free Speech Back from the Right?

What to See in the 2025 New York Film Festival’s Second Week

Donald Trump’s Shutdown Power Play

Daily Cartoon: Thursday, October 2nd

The Unexpected Sweetness of Bill and Ted’s “Waiting for Godot”

One Paul Thomas Anderson Film After Another

My Cat Is Gen Z