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The New Yorker

Donald Trump’s Firing of a Federal Prosecutor Crosses the Reddest of Lines

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“Unreasonable,” by Rivka Galchen

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Rivka Galchen on Raymond Carver’s “Elephant”

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Rivka Galchen Reads “Unreasonable”

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Restaurant Review: I Cavallini

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Britain Is Manifesting Nigel Farage as Its Next Prime Minister

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What Trump Wants from a TikTok Deal with China

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What It’s Like to Get Really, Really High

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The Strange, Cinematic Life of Charlie Sheen

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Seeing Enemies Everywhere

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Picturing a Chinatown Family Across Twenty-two Years

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Hillary Clinton on the Psychology of Autocrats

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The Cartoonist Liana Finck Picks Three Favorite Children’s Books

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Is the 2026 Election Already in Danger?

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Daily Cartoon: Friday, September 19th

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How Donald Trump’s Culture-Wars Playbook Felled Jimmy Kimmel

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The Metropolitan Opera Delves Into Comic Books

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The Illusion of Joe Manchin’s “Common Sense”

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The Great Student Swap

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Raul Lopez Wants to Be American Fashion

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The Grave Threat Posed by Donald Trump’s Attack on Jimmy Kimmel

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J. D. Vance, Charlie Kirk, and the Politics-as-Talk-Show Singularity

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Robert Redford and the Perils of Perfection

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Barry Blitt’s “Remote Control”

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“A Big Bold Beautiful Journey” Is None of Those Things

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Israel’s New Occupation

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Daily Cartoon: Thursday, September 18th

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“The Paper,” “The Lowdown,” and the Drama of Journalism

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Yasmina Reza’s “Art” Feeds Our Appetite for Argument as Entertainment

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Respectfully, Oasis Sucks

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How Bad Is It?: Political Violence in the U.S., and What We Can Learn from Brazil

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Great Gay Novels Recommended by the Director of “The History of Sound”

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Charlie Kirk and Tyler Robinson Came from the Same Warped Online Worlds

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Daily Cartoon: Wednesday, September 17th

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What the Video of Charlie Kirk’s Murder Might Do

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How Samin Nosrat Learned to Love the Recipe

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