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“Voyagers!,” by Bryan Washington

What’s the Deal with U.F.O.s?

Philip Gourevitch on Gilles Peress’s Photo from September 11th

Bryan Washington on Road Trips and Friendship

Bryan Washington Reads “Voyagers!”

The Photographer Who Looked Past the Idea of Italy

The Mystery of the Cat Mystery

R.F.K., Jr., Brings More Chaos to COVID Policy and the C.D.C.

Harvard’s Mixed Victory

Donald Trump, Architecture Critic

Trump Has Grabbed Emergency Powers. How Will He Use Them?

Jeff Tweedy on His New Triple Album, “Twilight Override”

Anna Wintour’s Interview About Appointing a New Editor of American Vogue

The Political Trickery of “Eddington”

Daily Cartoon: Friday, September 5th

“I Who Have Never Known Men” Is a Warning

What “The Paper” Has to Say About Journalism

The Ministry of Joyce McDonald’s Sculptures

How Many Court Cases Can Trump Lose in a Single Week?

“Erupcja” Starts Charli XCX’s Acting Career on a High Note

Daily Cartoon: Thursday, September 4th

Reëxamining the American Dream in “The Last Carnival”

Ranking Things from Quiet Luxury to Loud Luxury

Our Fads, Ourselves

Why Pam Bondi Is the Attorney General of Trump’s Dreams

Red, White, and Bruised

Trump’s Department of Energy Gets Scienced

Daily Cartoon: Wednesday, September 3rd

The New Yorker Festival Announces Its Full 2025 Lineup

Is Ghosting Inevitable?

Arundhati Roy’s “Mother Mary Comes to Me,” Reviewed

Sabrina Carpenter’s “Man’s Best Friend,” Reviewed

“The Paper” Is Old News

Daily Cartoon: Tuesday, September 2nd

Texas Democrats’ Weapons of the Weak

Why Don’t We Take Nuclear Weapons Seriously?

Why Are Kids So Funny?

The Gardener’s Dilemma

Victor Lodato Reads Denis Johnson

Do State Referendums on Abortion Work?

Daily Cartoon: Monday, September 1st

The End of the Late-Night Band

Restaurant Review: Lex Yard at the Waldorf-Astoria

How Robert F. Kennedy, Jr.,’s Anti-Vax Agenda Is Infecting America

What Ghislaine Maxwell Told the Justice Department

The Surreal Images of Erick and Elliot Jiménez

The Lush Pain Music of Nourished by Time

Fred Armisen on “100 Sound Effects”

Donald Trump’s War on Culture Is Not a Sideshow

The New Orleans That Hurricane Katrina Revealed