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The Sycophancy for Donald Trump Must Be Televised

A Letter from Ghislaine Maxwell

Daily Cartoon: Thursday, August 28th

“Ritu,” by Akhil Sharma

“Caught Stealing” Makes New York a Comedic Criminal Nightmare

What Would Free Buses Look Like, Actually?

The Democratic Party’s Identity Crisis

André Holland on Stories of Community

Scenes from the “This Is Spinal Tap” Cutting-Room Floor

Racing Mount Pleasant Makes Quiet Emotions Sound Grand

Daily Cartoon: Wednesday, August 27th

The Lessons of a Glacier’s Collapse

How to Survive Your Song Going Viral on TikTok

The Enormous Stakes of Trump’s Effort to Fire the Fed Governor Lisa Cook

How Former Biden Officials Defend Their Gaza Policy

Daily Cartoon: Tuesday, August 26th

“Eden” Is a Messy Survival Thriller with Nietzschean Appeal

“Eden” Is a Desert-Island Thriller That Despoils Itself

When the Man Tried to Sell Minimalism to the Counterculture

When It’s Acceptable to Be on Speakerphone in Public

How Long Will Trump Be Able to Deny Reality with His Energy Policy?

The Endless August Recess

Daily Cartoon: Monday, August 25th

“We Are the World,” January 6th Style

“Ichthys,” by Jay Fielden

“70,” by Patricia Smith

Zohran Mamdani Talks Love and Deuce with Some New Friends

What The New Yorker Was Watching in 1925

The Trump Administration’s Efforts to Reshape America’s Past

The History of The New Yorker’s Vaunted Fact-Checking Department

The Celebrity Picture Book Boom

The A.I.-Profits Drought and the Lessons of History

Sweating and Storytelling in a Williamsburg Sauna

Richard Renaldi’s Portraits of New Yorker Critics

Mary Petty, the Mysterious Cover Artist Who Captured the Decline of the Rich

Letters from Our Readers

Inside the Tent on “The Great British Bake Off”

How a Billionaire Owner Brought Turmoil and Trouble to Sotheby’s

How Weekly Shōnen Jump Became the World’s Most Popular Manga Factory

How Patricia Lockwood Wrote “Will There Ever Be Another You”

How Music Criticism Lost Its Edge

Fred Armisen Goes Bang! Zip! Zoop!

Elizabeth Gilbert’s Latest Epiphanies, in “All the Way to the River”

Cindy Sherman’s and Rea Irvin’s Eustace Tilley

Briefly Noted

A24’s Empire of Auteurs

A.I. Is Coming for Culture

Restaurant Review: Santo Taco

Rachel Cusk on Muriel Spark’s “The House of the Famous Poet”