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“Resident Evil” Is Fun, but Soulless. What Else Could It Be?

The Sublime Somi Bridges African and Western Jazz

The Predator Catcher Turns Predatory in “Primetime”

The Week Republicans Finally Panicked About Trump

Gut Renos of Ionesco and Chekhov

Daily Cartoon: Thursday, September 24th

What Survival Stories Tell Us (and Should We Listen?)

There Is No A.I. “Race”

Currently on View in an Art-Fair Booth

How MAHA Tore One Family Apart

“NAZA” Puts Israel Face to Face with the War in Gaza

What China’s Vibe-Coding Capital Can Tell Us About the A.I. Boom

An OpenAI Engineer and His Friends Debate the Future

Daily Cartoon: Wednesday, September 23rd

Kate Atkinson’s Obsession with History

The Worlds That Donald Trump and Xi Jinping Want

Is Trump’s Latest Press Attack Just Another Distraction?

Annie Dillard’s Subject Was the Whole World

Daily Cartoon: Tuesday, September 22nd

Some Ways A.I. Might Do It

How the Absence of Shame Weakens Democracy

Even Ed Sheeran’s Apology Took Both Sides

Daily Cartoon: Monday, September 21st

The Lost Descendants of Thomas Jefferson

Why I Free-Solo El Capitan

What’s Really Behind the Baby Bust?

What Life Is Actually Like in Gaza Today

What Barbara Kingsolver Believes the Novel Can Do

Waiting for Jay-Z

Tom Brady’s Endgame

The Return of “Salt”

The Fallout of a Charlie Kirk Campus Scandal

The Curious Power of Punctuation

Learning to Yearn with Georgia Oakley

Is A.I. Above the Law?

Inside Shaq’s League of Dunkers

Hernan Diaz’s Grand Experiment

Briefly Noted Book Reviews

Barry Blitt’s “Pulling the Plug”

A Populist Revival in Iowa

“Garden,” by Melissa Broder

“Debt,” by Daniel Poppick

“Dark Horse,” by Sarah Anderson

Sharon Horgan, Autofiction Auteur

Sarah Anderson on Relief from Intrusive Thoughts

Sarah Anderson Reads “Dark Horse”

Restaurant Review: Ugly Baby

Our A.I. Problem

The Thomas and Kavanaugh Hearings Restaged as a Theatre of Fact

The Unknowable Miley Cyrus