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The Great Dude Battles of the 1880s

Alfredo Jaar Is Still Trying to Change the World

Another Abstract Public Artwork Faces Trump’s Senseless Ire

Member Event: ISCP Ground Floor Studio Visits

Member Event: ISCP Ground Floor Open Studios

From a curator at the Getty, ratings of every...

More Nothing Now

James McNeill Whistler’s Music for the Eyes

Keith Haring Mural May Decide the Fate of Public Art in Philly

The 2026 winners of the Ig Nobel Prize include papers...

Studio Ghibli’s Deepest Secret Is What Comes Next

A Twisted Sculpture Lands on Manhattan's High Line

Madelon Vriesendorp’s Subconscious Cities

Rocky Sleep, You Watch, Question?

In ‘Ascent,’ Debra Baxter Explores the Power in Vulnerability, Mysticism, and Time

Activists Protest Bayeux Tapestry Sponsor’s Ties to Israeli Settlements

Now open for business in Nyack, NY: Busman’s Holiday , a...

Ok wait, the NES Tetris world record is now 40.26...

There’s No Place Like Group Chats

Europe’s Art Theft Problem Is Much Bigger Than the Louvre

A Deep Dive Into the Full Bayeux Tapestry Story

Art History and Pop Culture Converge in Frederich Kunath’s ‘The Nearest Faraway Place’

I’ve linked to Summoning Salt’s videos before (they make...

Six Decades of David Hockney on View in Gloucester, MA

In 1992, Canada declared a moratorium on Northern cod...

Two-Hour Mix of the Jazz in Haruki Murakami Novels

We Are Living in the Fantasy World of 13-Year-Old Boys ....

Houston Center for Contemporary Craft Celebrates 25th Anniversary With Silver Exhibition

Once upon a screen: explosive paradox

Good Muslim Artist, Bad Muslim Artist

The bombarding of childhood

Canceling one flight

How the Silk Road Actually Worked (and What Could Go Terribly Wrong On It)

How Martin Luther King, Jr. Used Nietzsche, Hegel & Kant to Overturn Segregation in America

The Way We Live Now: 11-11-01; Lost and Found , a piece...

Seneca on True and False Friendship