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Tue Nov 25
Mon Nov 24
All of the Rivers
23m
k
Art Critic Christopher Knight Retires From LA Times
56m
H
“Art is valuable precisely because it is not easy to create. We...
1h
k
Why Are We So Afraid of Conversation?
1h
H
If Quantum Computing Is Solving “Impossible” Questions, How Do We Know They’re...
2h
k
Otherworldly Photos of Forests by Michelle Blancke Explore Mysticism and Transformation
2h
C
Thoughts and Prayers
2h
k
Cool Enchantment
3h
H
In a London increasingly dominated by rideshare services, some drivers are still...
3h
k
In ‘Terminal Classic,’ Timo Fahler Grapples with Dualities and Contradictions
4h
C
Thanks: W.S. Merwin’s Ode to the Defiant Courage of Gratitude in a Broken World
4h
T
21st-Century Culture Has Hit a Wall. “We — creators and audiences alike...
5h
k
My Recent Media Diet, the Japan Edition
7h
k
The Prompt Decks are now available
10h
S
What Makes Picasso’s Les Demoiselles d’Avignon Perhaps the Most Revolutionary Painting of the 20th Century?
10h
O
Thanksgiving Menu at the Plaza Hotel in New York City (1899)
11h
O
Immerse Yourself in the Creative Culture of Peru’s Sacred Valley with Murmur Ring’s Unique Program
19h
C
Greta Thunberg Banned From Venice After Dyeing Canal Green
21h
H
How Can NYC Artists Push Back Against Censorship?
22h
H
Llyn Foulkes, Quintessential LA Artist, Dies at 91
22h
H
The Devil Lives in Berlin
23h
H
Chindōgu: The Japanese Art of “Unuseless” Inventions
23h
k
Five New York City Art Shows We Love Right Now
23h
H
Meet the Members of Mamdani’s Arts and Culture Transition Committee
23h
H