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The Great Dude Battles of the 1880s

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Alfredo Jaar Is Still Trying to Change the World

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Another Abstract Public Artwork Faces Trump’s Senseless Ire

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Member Event: ISCP Ground Floor Open Studios

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From a curator at the Getty, ratings of every...

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More Nothing Now

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James McNeill Whistler’s Music for the Eyes

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Keith Haring Mural May Decide the Fate of Public Art in Philly

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The 2026 winners of the Ig Nobel Prize include papers...

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Studio Ghibli’s Deepest Secret Is What Comes Next

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A Twisted Sculpture Lands on Manhattan's High Line

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Madelon Vriesendorp’s Subconscious Cities

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Rocky Sleep, You Watch, Question?

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In ‘Ascent,’ Debra Baxter Explores the Power in Vulnerability, Mysticism, and Time

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Activists Protest Bayeux Tapestry Sponsor’s Ties to Israeli Settlements

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Now open for business in Nyack, NY: Busman’s Holiday , a...

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Ok wait, the NES Tetris world record is now 40.26...

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There’s No Place Like Group Chats

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Europe’s Art Theft Problem Is Much Bigger Than the Louvre

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A Deep Dive Into the Full Bayeux Tapestry Story

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Art History and Pop Culture Converge in Frederich Kunath’s ‘The Nearest Faraway Place’

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I’ve linked to Summoning Salt’s videos before (they make...

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Six Decades of David Hockney on View in Gloucester, MA

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In 1992, Canada declared a moratorium on Northern cod...

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Two-Hour Mix of the Jazz in Haruki Murakami Novels

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We Are Living in the Fantasy World of 13-Year-Old Boys ....

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Houston Center for Contemporary Craft Celebrates 25th Anniversary With Silver Exhibition

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Once upon a screen: explosive paradox

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Good Muslim Artist, Bad Muslim Artist

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The bombarding of childhood

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Canceling one flight

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How the Silk Road Actually Worked (and What Could Go Terribly Wrong On It)

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How Martin Luther King, Jr. Used Nietzsche, Hegel & Kant to Overturn Segregation in America

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The Way We Live Now: 11-11-01; Lost and Found , a piece...

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Seneca on True and False Friendship

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