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Thu Mar 5
Wed Mar 4
An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance
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How to Be a Tree: Notes on the Resilience of Letting Go
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Art Movements: Anicka Yi Picks Up the Pace
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Required Reading
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The Polycrisis Sublime of the Whitney Biennial
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Earth’s gravity is lumpy . “The gravity in...
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Guggenheim Union Rallies at Carol Bove Reception
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The Ballad of Ollie Jackson
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Big Tuskers
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This is kind of amazing: World Monitor is a real-time...
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A View From the Easel
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Yes, let’s retire the restaurant monologue ....
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Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake
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From ProPublica, a database of financial disclosures...
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Brian Eno’s Oblique Strategies on HyperCard
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What Happens When We Die
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The Met Introduces High-Definition 3D Scans of Dozens of Art Historical Objects
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Web game: list as many animals as you can in 1 minute...
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Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms
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The Four Rules for a Good Walk
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Legendary computer scientist Donald Knuth :...
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“The entire Sun oscillates in a globally coherent...
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Scale the Dramatic Verticality of Grundtvigs Kirke in David Altrath’s Dreamy Photos
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Oliver Sacks on the Three Essential Elements of Creativity
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After rain
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How to Heal Your Creative Hangover
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On her own terms
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Imagination is work
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Seven Wonders of the Ancient World: From the Walls of Babylon to the Sewers of Rome
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The Dark and Stormy Tale of a ShantyTok Band
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Bertrand Russell’s Advice For How (Not) to Grow Old: “Make Your Interests Gradually Wider and More Impersonal”
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Albert Camus on the Source of Strength and How to Save Our Sanity in Trying Times
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