In the nineteen-sixties, the music media encouraged the notion that a young rock-and-roll fan had to side with either the Beatles or their rivals, the Rolling Stones. On some level, it must have made sense, given the growing aesthetic divide between the music the two
Some restaurants keep a photo of the local reviewer in the kitchen. The thinking is that if someone notices she’s in the building, everyone can up their game. And some musicians wait eagerly for A&R person to be in the crowd. If they really kill it tonight, a record deal might
When Wendy Carlos released Switched-On Bach in 1968, her “greatest hits” compilation of the Baroque composer’s music, played entirely on the Moog analog synthesizer, the album became an immediate hit with both classical and pop audiences. Not only was it “acclaimed as real
James Hamilton’s career conveniently mirrors the changing fortunes of journalism as an industry.
Artworks by the students feel delightfully provisional, like statements of intent toward unrealized future creations — but no less meaningful.
“The use of music,” Richard Powers wrote, “is to remind us how short a time we have a body” — a truth nowhere more bittersweet than in the creature whose body is the oldest unchanged musical instrument on Earth: a tiny mandolin silent for most of its existence, then sonorous
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