There are a lot of structural reasons why in-person meetings don’t involve a break every 12 minutes. It takes too long to stop and start. But those rules don’t apply to Zoom. Screens off! Stand up. We’ll be back in 60 seconds. If it’s not worth coming back, the meeting should
I have found that the surest way of seeing the wondrous in something ordinary, something previously underappreciated, is coming to love someone who loves it. As we enter each other’s worlds in love — whatever its shape or species — we double our way of seeing, broaden our way
Whether working in Scottsdale, Arizona, or Fukuoka City, Japan, Jin Choi and Thomas Shine have found that crochet is a universal language. The pair engage communities around the world in large-scale projects that involve crafting elaborate lace patterns to be fastened to an
Funding MFAs and other full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
Futura, the typeface favored by the likes of filmmakers Stanley Kubrick and Wes Anderson was also used extensively for NASA’s Apollo 11 mission (along with an American knock-off of Futura called Spartan ). Tags: Apollo · Apollo 11 · design · Futura · Moon · NASA · typography
Alex Chinneck has the world tied in knots as he distorts everyday tools and infrastructure. Twisting and twining telephone booths, hammers, and lamp posts, the British artist ( previously ) warps common objects to exaggerated proportions, rendering each almost entirely
Hey, public voting is open for the Tiny Awards! I was on the judging committee so I can’t tell you my favorites, but there are lots of lovingly crafted, goofy, creative sites to choose from. Go vote! 💬 Join the discussion on kottke.org →
“I want people to feel like they have stumbled onto a riddle,” says Jason Wheatley about his dreamy scenes. Melding realistic depictions with fantastical elements, the artist warps the time-honored traditions of still lifes by adding animals and insects to the otherwise