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Ali Eyal Gives Testimony

“I was nine years old, and I felt like I lost that childhood,” the Whitney Biennial artist told Hyperallergic, reflecting on the US’s war in Iraq, the disappearance of his father, and the art he makes to process.

Gugusse and the Automaton

The Library of Congress recently discovered a copy of a “long-lost” film made in ~1897 by George Méliès called Gugusse and the Automaton (Gugusse et l’Automate), which “had not been seen by anyone in likely more than a century” and “was the first appearance on film of what

The Hidden Hope in the Darkness

On the occasion of the release of her latest book, The Beginning Comes After the End , Rebecca Solnit sat down for an interview with David Marchese of the NY Times. Here’s the video version : This is a great interview. Marchese’s first question is about how we find the

The NY Times went back through a century of...

The NY Times went back through a century of women’s obituaries “to re-examine them with the benefit of distance — to see what was emphasized, what was minimized, what might have been left unsaid”. https://bsky.app/profile/prisonculture.bsky.social

Ever behind the sunset

This hand-painted stop motion animation recalls the textures of a family home demolished to make way for a widened road - by Aeon Video Watch on Aeon

Aeon

Chronicles of a Needless War

DC’s “Jeffrey Epstein Walk of Shame,” a major ruling on copyrights for AI art, Israel-US strikes damage a historic site in Tehran, exhibitions to visit in Los Angeles this month, and more.

The eye of the mathematician

Is mathematical beauty real? Or is it just a subjective, human ‘wow’ that is becoming redundant in an AI age? - by Rita Ahmadi Read on Aeon

Aeon

Considering infinity

Endless, unlimited and more. These are building blocks of capitalism. Starbucks knows that they can’t get you to drink three coffees every morning, but their stock price is built on the idea that they can continue to get more customers and make more money from each one. The