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Criterion x Every Frame a Painting: The Edges of Wuxia

Every Frame a Painting’s Taylor Ramos & Tony Zhou are back with a video essay about pushing the boundaries of genre in Tsui Hark’s 1995 film The Blade . One reason filmmakers like to work in a genre is that it gives us a pre-made box: a set of expectations, tropes, and

Teaser Trailer for Silo Season Three

As I watched the teaser trailer for season three of Silo , I discovered that I am very much looking forward to this new season. July 3, 2026. Tags: silo · trailers · TV · video

Trials for a pancreatic cancer mRNA vaccine :...

Trials for a pancreatic cancer mRNA vaccine : “Nearly 90% of people whose immune systems responded to the vaccine were still alive up to six years after receiving the last treatment. The five-year survival rate for pancreatic cancer is around 13%…”

“ NASA’s Curiosity rover has detected organic...

“ NASA’s Curiosity rover has detected organic molecules on Mars , including chemicals widely considered building blocks for the origin of life of Earth.” And: “We think we’re looking at organic matter that’s been preserved on Mars for 3.5bn years.”

How to Crash

"I thought of the pinkish, folded gel which in its mysteries congeal all my memories and dreams, and how it had been thrust from a moving vehicle onto an English road with nothing to protect it but the back of my skull."

The Wayfinders

The Marshall Islands’ first national soccer team discovers what “home” can mean—on a field in Arkansas.

Justice is geometric

Where centralised societies excel at extraction, African fractal systems allow for circulation, reciprocity and return - by Likam Kyanzaire Read on Aeon

The right sort of friction

If we remove impediments that are in the way of where our customers seek to go, they support us. But when we remove the friction that gives people traction on their journey, they flounder. Remove the hassles that people don’t care about, but celebrate the hassles that make it

The Warehouse, in Plain Sight

"That concrete box off the freeway wasn’t designed for storage so much as capture—of markets, workers, and, now, people detained by immigration agents. It’s a disappearing machine. We need to see it clearly."