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“You Can See Everything” and the Nathan Fielder Effect

Word Problems About Dealing with a Friend’s Weird Boyfriend

Hemingway’s Vendetta

Does the D.S.A. Have a Vision for Public Schools in New York?

Can Justin J. Pearson Win in Tennessee?

A Philosopher of War Changes His Mind

“Slow Horses,” Apple TV’s Best Show, Retains Its Pungent Relevance

Gina Hinojosa Thinks Texas Is Different This Time

How ICE Is Targeting the 2026 Midterms

The Best Books of 2026 So Far

Daily Cartoon: Wednesday, October 21st

Anne Carson’s Best Books

Wikipedia’s Pyrrhic Victory

Lula’s Last Dance

“Fatherland” Cleans Up the Rough Edges of History

Is the Military Low-T?

Daily Cartoon: Tuesday, October 20th

“An Unprecedented Case of Child Abuse”

Gifts for Cats (and Their Owners) That Are Worth Knocking Off the Table

Dogs That Weren’t Rescued

Behind the Settler Attack on Palestinians and a Washington Post Journalist

Daily Cartoon: Monday, October 19th

“The Brightness,” Reviewed: Chad Harbach’s Sequel to “The Art of Fielding”

When God Is Another Addiction

The Perils of Time Travel

The New Age of Reading

The Furry Prima Donna of “La Bohème”

The Danger of Getting Too Close to a Source

Mark Ulriksen’s “Make It Two”

Louise Glück’s Life in Restaurants

Josh Safdie’s Top Ten (or So) N.Y.C. Films

Frank Capra’s Mythmaking Magic

Everyone Can Be Migos Now

Computer Chips Are the Most Magnificent Things Humanity Has Ever Made

Briefly Noted Book Reviews

Bill Irwin Is the O.G. Clown

“The Woodcutter,” by Nick Laird

“Shortcut,” by Diane Mehta

“Appeasement, Ohio,” by George Saunders

What John Goodman Knows About Fear

The Bari Weiss Effect on “60 Minutes”

Restaurant Review: Faux

How the D.S.A. Learned to Love Elections

George Saunders on How Fiction Helps Us Gawk Fondly at Reality

George Saunders Reads “Appeasement, Ohio”

Your Next Vacay Is . . . the Strait of Hormuz?

We Can Never Understand Elizabeth Holmes, or Nathan Fielder

My Year of O.C.D.

How Trump’s Immigration Crackdown Gave Florida Democrats a Chance

Andre D. Wagner’s Eye for the Photo-Ready