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The New Yorker
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Tue Oct 6
How “Oscar” Stages the Sad, Sordid Decline of Oscar Wilde
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Who Won the Redistricting War?
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The Good-Hang Economy
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The Blistering Hollywood Satire of “Misty Green”
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Richard Avedon’s Defining Early Fashion Shoots
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Kash Patel’s Slap Shot
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How I Became a Lock Picker
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Will Donald Trump’s Corruption Matter in November?
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Season 2 Update: Curtis Flowers Has Died
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The Reporter Nicholas Lemann on California’s Battle to Pass a Billionaire Tax
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Canada’s Plans for Donald Trump
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In the Dark: Season 2
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What’s Driving the French Student Protests
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Daily Cartoon: Friday, October 9th
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“Lincoln in the Bardo” Gets an Opera at the Met
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The Vertiginous Revelations of “You Can See Everything”
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In “Musk,” Alex Gibney Punctures Elon’s Self-Mythology
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How Rick Bragg Became His Generation’s Bard of the South
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Footballese, the Most American Vernacular
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“Fjord” Keeps the Faith
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The Dumocrats Are Coming for Trump, and All He Can Do Is Call Them Names
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Anne Carson’s Ecstatic Minimalism
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Daily Cartoon: Thursday, October 8th
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“The Social Reckoning” Shows How It All Went Wrong
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“The Social Reckoning” Leaves Out the Human Element
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“Degenerates” Is Funny, Pervy, and Startling
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Medically Misunderstood
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Why Donald Trump Is Pausing His Crackdown on Salvadoran Immigrants
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