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The New Yorker
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Sat Sep 19
In the Dark: Season 2
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What’s Driving the French Student Protests
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Daily Cartoon: Friday, October 9th
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“Lincoln in the Bardo” Gets an Opera at the Met
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The Vertiginous Revelations of “You Can See Everything”
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In “Musk,” Alex Gibney Punctures Elon’s Self-Mythology
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How Rick Bragg Became His Generation’s Bard of the South
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Footballese, the Most American Vernacular
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“Fjord” Keeps the Faith
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The Dumocrats Are Coming for Trump, and All He Can Do Is Call Them Names
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Anne Carson’s Ecstatic Minimalism
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Daily Cartoon: Thursday, October 8th
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“The Social Reckoning” Shows How It All Went Wrong
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“The Social Reckoning” Leaves Out the Human Element
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“Degenerates” Is Funny, Pervy, and Startling
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Medically Misunderstood
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Why Donald Trump Is Pausing His Crackdown on Salvadoran Immigrants
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Daily Cartoon: Wednesday, October 7th
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What to Read if You Loved “East of Eden”
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“Fear Fokol” Looks Inside the Private-Security Forces That Patrol Johannesburg
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Will Netanyahu Escape His Reckoning?
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The Fighting in Ethiopia Is Part of a Far Bigger Conflict
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How the Billions from the Opioid Settlement Are Being Spent
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Back to School, in Gaza
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Daily Cartoon: Tuesday, October 6th
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I’m Starting to Suspect That the F.D.A. Is Just Trying to Get Me to Cook
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How “Edinburgh” Reimagines Time to Tell a Story of Trauma
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MacKenzie Scott’s Substack Novel Can’t Escape the Amazon Juggernaut
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Daily Cartoon: Monday, October 5th
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Year of the Horse
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Why Is Illness So Hard to Write About?
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The Battle for the Post-Trump Right
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Peter de Sève’s “Lapdog”
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Maternal Intelligence: An Open Letter
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How to Fight Your Landlord, the Heel
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How Test Engineers Decide What Counts as Good Enough
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How Lists Became Our Greatest Defense Against Endless Slop
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Ernie Bushmiller’s Sunday Morning, Live
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Ellen Allien’s Hill of Sound
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Briefly Noted Book Reviews
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Boo! You’ve Been Buried Alive
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Arthur Jafa’s “I Am Tony,” Reviewed
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A Woman with a Past
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“Old Story: October,” by Cynthia Zarin
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“Democracy,” by Sophie Cabot Black
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“A Very Safe Place,” by Rachel Heng
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Restaurant Review: Trudie’s Tavern
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Rachel Heng on Safety and the Power of the Child’s-Eye View
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Rachel Heng Reads “A Very Safe Place”
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ICE Is Everywhere and Acting with Impunity
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