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The New Yorker
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Thu Sep 24
Why Donald Trump Is Pausing His Crackdown on Salvadoran Immigrants
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Daily Cartoon: Wednesday, October 7th
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What to Read if You Loved “East of Eden”
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“Fear Fokol” Looks Inside the Private-Security Forces That Patrol Johannesburg
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Will Netanyahu Escape His Reckoning?
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The Fighting in Ethiopia Is Part of a Far Bigger Conflict
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How the Billions from the Opioid Settlement Are Being Spent
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Back to School, in Gaza
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Daily Cartoon: Tuesday, October 6th
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I’m Starting to Suspect That the F.D.A. Is Just Trying to Get Me to Cook
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How “Edinburgh” Reimagines Time to Tell a Story of Trauma
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MacKenzie Scott’s Substack Novel Can’t Escape the Amazon Juggernaut
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Daily Cartoon: Monday, October 5th
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Year of the Horse
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Why Is Illness So Hard to Write About?
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The Battle for the Post-Trump Right
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Peter de Sève’s “Lapdog”
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Maternal Intelligence: An Open Letter
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How to Fight Your Landlord, the Heel
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How Test Engineers Decide What Counts as Good Enough
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How Lists Became Our Greatest Defense Against Endless Slop
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Ernie Bushmiller’s Sunday Morning, Live
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Ellen Allien’s Hill of Sound
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Briefly Noted Book Reviews
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Boo! You’ve Been Buried Alive
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Arthur Jafa’s “I Am Tony,” Reviewed
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A Woman with a Past
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“Old Story: October,” by Cynthia Zarin
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“Democracy,” by Sophie Cabot Black
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“A Very Safe Place,” by Rachel Heng
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The Battle to Pass a Billionaire Tax
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Restaurant Review: Trudie’s Tavern
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Rachel Heng on Safety and the Power of the Child’s-Eye View
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Rachel Heng Reads “A Very Safe Place”
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ICE Is Everywhere and Acting with Impunity
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Christa Pike and the Absurdity of Humane Execution
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“The Swan” Gets a Superficial Reckoning
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Why Adults Are Playing with Toys
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The Constant Rediscovery of Barbara Trapido
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Olive Garden Is the Real True North
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Let Cathy Ames Be a Monster
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Gerald Cyrus’s Magnificent Images of Black Life
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Can Europe Still Trust America?
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An American Journalist Imprisoned as a Spy in Russia
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Jeremy Strong on Playing Mark Zuckerberg and Other Unpopular Characters
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The New York Film Festival, Week Two: Loose Talk, Bold Action
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Daily Cartoon: Friday, October 2nd
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Will A.I. Still Take Our Jobs?
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The Quiet Unravelling of a Haitian Life in America
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Justine Kurland’s Photographs Keep Us on Edge
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