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Fri Aug 21
John Wilson’s Poetry of the Mundane
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Daily Cartoon: Monday, September 14th
6d
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The Wealthiest—and Stealthiest—Class in America
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The Sisters Buying Homes Together
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The Incredible Journey of a Migratory Shorebird
6d
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The Hearing Aid That Plays It by Ear
6d
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The American Religion of Self-Storage Facilities
6d
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She Made Me Do It
6d
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Paula Cole Doesn’t Want to Wait
6d
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My Surefire, Can’t-Lose Polymarket Bets
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Ke Huy Quan Keeps Smiling
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Jared Kushner’s Dollar Diplomacy
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In “Situated,” Angela Duckworth, the Author of “Grit,” Does an About-Face
6d
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Dean Rohrer’s “Beginnings”
6d
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Briefly Noted Book Reviews
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“Lost Child,” by Joyce Carol Oates
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“Late September,” by Jodie Hollander
1w
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“Driveway,” by Stephanie Horvath
1w
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What’s Left of the Back-to-the-Landers
1w
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What the Met’s John Galliano Reversal Reveals
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Joyce Carol Oates on Embedded Memories
1w
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Joyce Carol Oates Reads “Lost Child”
1w
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Is Zionism’s Moral Crisis About Roads Not Taken—or Original Sin?
1w
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How to Protect Democracy
1w
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Ric Burns, N.Y.C. Optimist
1w
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On Not Being a Homeowner
1w
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Is a Blue Wave Really Coming?
1w
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“The Uprising” Is a Grim But Scattershot History Lesson
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Daily Cartoon: Friday, September 11th
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John Wilson and “The History of Concrete”
1w
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Colin Kaepernick Misses the Game
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The U.S. Was Never Going to Win the “War on Terror”
1w
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The Sartorial Riches of the Silent-Film Era
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Can A.I. “Go Rogue”?
1w
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“My Brilliant Career” Is the Best Show of the Summer
1w
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Troy Jackson Is Still Surprised That He’s Running for Senate
1w
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Canada and the U.S.A. Face Off
1w
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Daily Cartoon: Thursday, September 10th
1w
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“Favorite Bodies,” by Lydia Davis
1w
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Late-Night Dorm-Room Conversation Topics, Updated for Middle Age
1w
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Is the Democratic Party Still Too Woke?
1w
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The Right’s Crusade to “Make America Hot Again”
1w
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In “The Sun Never Sets,” Joe Swanberg Strips Romance to Its Bones
1w
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Daily Cartoon: Wednesday, September 9th
1w
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Five Books for Lingerie Lovers
1w
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Some Legacy Sequels We Hope Are Never Made
1w
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Remembrance of September 11th
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Flock Wants a Closely Surveilled World with No Exit
1w
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Can You Write a Memoir in the Third Person?
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