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What Makes an Adaptation Good?

Stella Lefty and the Rise of Nepo-Baby Musicians and “Industry Plants”

How Jordan Harper Reinvented Noir for the Epstein Era

Our Fauci Diaries, Ourselves

As the World Burns

Daily Cartoon: Tuesday, August 4th

Michigan Primary-Election Live Results: Abdul El-Sayed Wins

What My Life Would Be Like If All of Those Spam Texts Were Legit

Subaru Socialists and the Great Disappointed

What Do India’s Gen Z Protests Mean for Modi?

Daily Cartoon: Monday, August 3rd

“wasps,” by Jan Wagner

“I Who Have Never Known Men” and “We Were Forbidden,” Reviewed

“Enjambment,” by Megan Fernandes

Why Donald Trump Talks So Much About Foreign Election Interference

What Does It Even Mean to Be a Moderate?

The Man Who Was Kidnapped Twice

The Future, Made in China

The American Art of Blowing Stuff Up

Shouts & Murmurs by Larry Doyle: Freelance Headlines Stupid Onion Editor Rejected

Robb Moss Is Still Going with the Flow

Kevin Warsh Is Facing More Than a Communication Problem

How Roy Cohn Taught Donald Trump Everything

How Golden Is Silence, Actually?

Extra! Extra! Read All About It . . . Again

Eric Wareheim, Plant Dad

Eric Drooker’s “Outside Art”

Briefly Noted Book Reviews

Battle of the Dans

“The Promise,” by Rachel Yoder

When “Get Lucky” Took Me Back to the Years of Disco

Rachel Yoder on a Mennonite Childhood and a Story About the Devil

Rachel Yoder Reads “The Promise”

Antonio Banderas’s Acts of Faith