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The New Yorker
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Fri Jul 24
What Makes an Adaptation Good?
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Stella Lefty and the Rise of Nepo-Baby Musicians and “Industry Plants”
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How Jordan Harper Reinvented Noir for the Epstein Era
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Our Fauci Diaries, Ourselves
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As the World Burns
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Daily Cartoon: Tuesday, August 4th
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Michigan Primary-Election Live Results: Abdul El-Sayed Wins
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What My Life Would Be Like If All of Those Spam Texts Were Legit
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Subaru Socialists and the Great Disappointed
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What Do India’s Gen Z Protests Mean for Modi?
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Daily Cartoon: Monday, August 3rd
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“wasps,” by Jan Wagner
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“I Who Have Never Known Men” and “We Were Forbidden,” Reviewed
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“Enjambment,” by Megan Fernandes
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Why Donald Trump Talks So Much About Foreign Election Interference
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What Does It Even Mean to Be a Moderate?
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The Man Who Was Kidnapped Twice
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The Future, Made in China
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The American Art of Blowing Stuff Up
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Shouts & Murmurs by Larry Doyle: Freelance Headlines Stupid Onion Editor Rejected
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Robb Moss Is Still Going with the Flow
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Kevin Warsh Is Facing More Than a Communication Problem
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How Roy Cohn Taught Donald Trump Everything
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How Golden Is Silence, Actually?
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Extra! Extra! Read All About It . . . Again
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Eric Wareheim, Plant Dad
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Eric Drooker’s “Outside Art”
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Briefly Noted Book Reviews
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Battle of the Dans
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“The Promise,” by Rachel Yoder
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When “Get Lucky” Took Me Back to the Years of Disco
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Rachel Yoder on a Mennonite Childhood and a Story About the Devil
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Rachel Yoder Reads “The Promise”
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Antonio Banderas’s Acts of Faith
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Why Is Europe Burning?
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What If We Can Never Trust A.I.?
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The Flawless Surface of Yves Saint Laurent
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The Failures of the Fauci Hearing
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Mohsin Hamid Reads Haruki Murakami
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Forget Albums—Pop Stars Measure Their Careers in Eras Now
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Obsession-Worthy Stories: A Washington Summer Roundtable
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Glen Hansard’s Street-Corner Stories
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The Democratic Socialist Running for Mayor of Los Angeles
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Abdul El-Sayed’s Argument for America—and Against His Own Party
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Daily Cartoon: Friday, July 31st
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Wendy Wasserstein’s Prescient Play
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The Outlandish Case Against James Comey
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In “Teenage Sex and Death at Camp Miasma,” Desire and Terror Meet
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How to Survive an Infestation of Toxic Caterpillars
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“The Samurai and the Prisoner” Fits a War Epic Into an Elegant Puzzle Box
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