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“Mice,” by Paul Muldoon

“Cul-de-Sac,” by Andrea Cohen

The Man Who Green-Lighted Trump’s Ballroom

The Divine Red-Carpet Looks of “The Odyssey” Press Tour

Sometimes It’s O.K. to Let a Language Die

One Man’s Quest to Fix Every Deadly Guardrail

María Corina Machado’s Opposition in Exile

Marcellus Hall’s “Spa Day”

Il Paradiso Italiano di Julian Schnabel

I Give My Kid the Talk

How Biden Enabled Israel’s Aggression Toward Gaza—and Iran

Florentina Holzinger’s Naked Ambition

David Rothenberg Arrives at the Punch Line

Can Andy Burnham’s Manchesterism Save the U.K.’s Center Left?

Briefly Noted Book Reviews

A Jaunt Down Memory Lane

“Testing,” by Min Jin Lee

Restaurant Review: Sanwits

Min Jin Lee on Exams and Hagwons

Min Jin Lee Reads “Testing”

How the Beach Vacation Became a Country-Music Trope

Eric Bogosian’s Killer Gig

Trump’s War on Journalists

The Voice of Google

Donald Trump Can’t Quit the 2020 Election

Donald Trump’s Election-Fraud Bait and Switch

Rahm Emanuel Says Israel’s Path Is “Not Sustainable Politically”

Pick Three: Richard Brody on “The Odyssey” and Other Summer Films

Bonus Daily Cartoon: Sirens Calling

Daily Cartoon: Friday, July 17th

Peter Hujar’s Search for Secrets

Paul Thek’s Eclectic Art

How Mudlarking Became London’s Hottest Hobby

Donald Trump’s Ad-Lib Strategy on Iran

Christopher Nolan Has Always Been Making “The Odyssey”

Bonus Daily Cartoon: Up in Smoke

Daily Cartoon: Thursday, July 16th

“Why Would That Help?,” by Diane Williams

Who Owns the Odyssey?

The Odyssey 3: IMAXimum Impact

The A.I. Gender Gap Meets the Parenting Gender Gap

I Won’t Cry for You, Argentina

An Idea for Democrats to Keep It Together in 2028