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Ryan Gosling’s ‘Blade Runner 2049’ Coat Among 300 Items Set for Auction From Sequel (Exclusive)

Four Decades After Gilles Villeneuve’s Death, Son Jacques Reacts to New Sports Biopic on Formula One Legend (Exclusive Clip)

Chicago Film Festival Sets International Competition Lineup With New Films From Ryusuke Hamaguchi, Hirokazu Kore-eda and Lee Chang-dong

Amsterdam Doc Fest IDFA to Celebrate Tatiana Huezo, Put Spotlight on William Greaves

Oldenburg Adds Ned Crowley’s ‘Dead Drop’ to Line Up

Massih Parsaei’s San Sebastian-Bound Debut ‘Lovers Sleep Alone’ Chronicles a Queer Man in Exile (Exclusive Clip)

Stephen Colbert Provides Update on ‘Lord of the Rings’ Movie After Emmy Win

Oscars: Bulgaria Picks Cannes Winner ‘The Dreamed Adventure’ for Best International Feature Race

‘Onslaught’ Producer Ryder Picture Company Rebranded as Embrace (Exclusive)

Israeli Army Chief Orders Legal Review of ‘NAZA’ Documentary

Brie Larson Film Adaptation of ‘One Italian Summer’ Sets Spring 2028 Release From Paramount

‘Sunburn’ Director on Warm, Hangout Drama: “I Really Wanted to Make a Film Like That for the ’Hood”

Ridley Scott Reveals Directing Secrets to Fellow Helmer Jimmy Chin: “Don’t Listen to Anybody”

Six Years After Starring Father Died Soon After TIFF Short Premiere, ‘Strong Son’ Director Returns With Grief Drama

‘Seventeen’ Director Justin Ducharme Talks Portraying Struggling Sex Workers as BFFs in Gritty Vancouver

A Dispute Over Screenwriting Credit Turns Heated in Neil LaBute’s ‘Murderous’ (Exclusive Clip)

Meet ‘Minotaur’: Watch the Exclusive Trailer for the Cannes-Winning Political Thriller

Netflix to Stream Lee Chang-dong’s Films Globally as ‘Possible Love’ Awards Campaign Heats Up

Zack Snyder’s ‘The Last Photograph’: First Reactions

Seth Rogen Surprised By Toronto Career Achievement Award at 44: “You Got a Letter From My Doctors?”

Oscars: Philippines Picks Rafael Manuel’s ‘Filipiñana’ as Best International Feature Selection

Chris Rock Reveals Paul Thomas Anderson Gave Notes on ‘Misty Green’: “A Tweak Here or There”

Israel’s Culture Minister Threatens to Revoke the Citizenship of ‘NAZA’ Filmmakers

Helen Mirren Says ‘Ripley’ Author Patricia Highsmith Is ‘The Most Difficult’ Real Person She’s Played: “Very Abrasive”

Alex Gibney Says He Got “Nothing Back” From Elon Musk When Reaching Out After Doc Legal Threat

Toronto: Seth Rogen Shares Secret to Hollywood Success: “I Was Lucky Coming Up”

Kaelen Ohm Talks Bringing Inner Extreme Skier to Film Roles: “I Want to Find the Steeper Hill to Go Down”

‘How We Stand’ Director on Recasting 1950s American Indians Relocation Legacy: “It’s Such an Epic Story”

Israel, Palestine and the Films No One Will Buy

‘Back in Black’ Director on Lovable Serial Killer Doing “Bad Things for the Right Reasons” in Christopher Walken-Starrer

Fina Strazza to Star in, Produce Romantic Drama ‘Any Way You Want Me’ (Exclusive)

Toronto: Irene Dionisio’s ‘IDDA’ Lands at FilmClub Distribuzione for Italy (Exclusive)

‘Words Are Weapons’: Michaël R. Roskam on Turning a WWII Fake-Newspaper Prank Into a Heist Movie

Inside ‘NAZA,’ the Bombshell Exposé on IDF’s War in Gaza

‘Look Back’ Breakouts Furi Nanase and Rokka Okada on Growing Up on a Hirokazu Koreeda Set

Toronto Awards Analysis: ‘I Play Rocky’ Channels Namesake, Could Follow in Its Oscar Footsteps

Anthony Ippolito on Speaking to Sylvester Stallone Before Filming ‘I Play Rocky’: “Very Overwhelming and Daunting”

Sandra Bullock Recalls “Auditioning for Every Pervert” and Being Asked to “Drop My Pants”: “Not the Role for Me”

Mahershala Ali Reveals He Was “Yearning” to Perform Action On-Screen Before Filming ‘Your Mother, Your Mother, Your Mother’

Seth Rogen Says ‘Babies’ Is “Reflective” of His “Experiences” Exploring Parenthood: “It’s Shocking How Personal It Is”

Jeremy Thomas, Producer of Oscar-Winning ‘The Last Emperor,’ Dies at 77

Slavoj Zizek Wants to Talk About Taylor Swift, Spider-Man and His Crush on Olivia Wilde

How a Small Chinese Drama Became a $300 Million Phenomenon

Toronto: Indigenous Directors Flex Artistry With Bigger-Budget Films

Top Hollywood Sales Agent Reveals Biggest Indie Film Challenge: “We’re Building Movies for Streaming Companies”

TIFF Flashback: Michelle Yeoh Took a Dramatic Turn With ‘The Lady’

‘Obsession’ Producer Haley Nicole Johnson on Dizzying Hollywood Breakout Hit: “It’s a Lot”

‘Woman Unknown’ Wins Golden Lion in Venice: Full Winners List

‘Practical Magic 2’ Summons $30M to End Spider-Man’s Streak at No. 1

‘The Odyssey’ Conquers ‘Jurassic World’ to Become Universal’s Highest-Grossing Film Ever