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Jeremy Thomas, Producer of Oscar-Winning ‘The Last Emperor,’ Dies at 77

Slavoj Zizek Wants to Talk About Taylor Swift, Spider-Man and His Crush on Olivia Wilde

How a Small Chinese Drama Became a $300 Million Phenomenon

Toronto: Indigenous Directors Flex Artistry With Bigger-Budget Films

Top Hollywood Sales Agent Reveals Biggest Indie Film Challenge: “We’re Building Movies for Streaming Companies”

TIFF Flashback: Michelle Yeoh Took a Dramatic Turn With ‘The Lady’

‘Obsession’ Producer Haley Nicole Johnson on Dizzying Hollywood Breakout Hit: “It’s a Lot”

‘Woman Unknown’ Wins Golden Lion in Venice: Full Winners List

‘Practical Magic 2’ Summons $30M to End Spider-Man’s Streak at No. 1

‘The Odyssey’ Conquers ‘Jurassic World’ to Become Universal’s Highest-Grossing Film Ever

Barbara Kopple Returns to the Picket Line

In ‘Magazine’, Director Alexandra Pechman Brings a Bygone Era of Print Media (and the 2010s) to TIFF Audiences

Ben Silverman, Micah Green Back New Platform for Jewish Filmmakers

‘Smudge the Blades’ Isn’t Your ‘Heated Rivalry’-Style Canadian Hockey Drama

‘The Family Stone’ Sequel Sets Returning Cast With Sarah Jessica Parker, Rachel McAdams, Luke Wilson and More

Toronto: ‘Purgatory’ Director Navigates Warring Parents and Girl Power in Dark Divorce Comedy

Carla Woodcock Joins Kate Beckinsale, Katherine McNamara in ‘White’ (Exclusive)

Canadian Auteur Matthew Rankin Had a Fever Dream About Canadian History

Almodóvar’s Deep Dive Into … Almodóvar

Sorry, Caleb Hearon Is Not Your Clown in ‘Trash Mountain’ Grief Dramedy

Courteney Cox Says She Decided to Direct ‘Evil Genius’ After Chance Encounter at the Beverly Hills Hotel: “I Made a Lot of Deals There”

Sebastian Stan Says “Invitation to Be Negative” in Society “Starts at the Top”: “It’s Just So Lazy”

HBO Buys Megan Rapinoe Doc, Betting on the Outspoken Soccer Legend (Exclusive)

Toronto: Anti-Trumpists Are Suddenly Big Progressive Documentary Funders

TIFF Flashback: Naomi Watts Cruised Into Toronto via ‘Mulholland’

Bill Kerby, Screenwriter on ‘The Rose,’ ‘The Last American Hero’ and ‘Hooper,’ Dies at 88

Warner Bros. Chiefs Double Down On Film Strategy: “We Really Believe In An Eclectic Slate”

Venice Critics’ Week Awards: Tommaso Usberti’s ‘Before the War’ Crowned Best Film

François Arnaud Boards Mike Birbiglia’s Focus Features Comedy ‘Old Friends New Friends’ (Exclusive)

‘Practical Magic 2’ Whips Up $4.7M in Box Office Previews

Jonathan Majors Delivers Anti-Islam Speech in Sequel to Daily Wire Thriller ‘Run Hide Fight’

Venice Days: María Aparicio’s ‘Sometimes Sadness, Sometimes Rebellion’ Wins GdA Director’s Award

‘Ancestors’ Invites You to a Cinematic “Séance,” Led by Éanna Hardwicke, That Mixes Dream, Reality and Memory (Exclusive TIFF Clip and Chat)

Why Hollywood Has Never Made a Great 9/11 Movie

‘Man in Motion: The Rick Hansen Story’ Doc Takes Viewers Back to 1980s Globe-Circling Wheelchair Trek: “It’s Just Insane”

Toronto: Global Media Producers Urge Stronger Local Content Laws to Fend Off Streaming Domination

Justin Trudeau Launches His Own Film and TV Production Banner

How ‘Obsession’ Rewrote TIFF History

The Don of Hollywood North Takes His Final Bow

Toronto Builds Its One-Stop Shop

Female-Led Producer Candid Broads Is Proud to Stand for New Voices, Impact and Representation

Sian Heder Says “Collective Action Matters” as ‘Being Heumann’ Opens Toronto Film Festival

‘Practical Magic 2’ Aims to Make ‘Spider-Man’ Disappear From No. 1 at Box Office

Montclair Film Festival Sets ‘Wild Horse Nine,’ ‘Elsinore,’ ’14th’ and ‘Behemoth!’ Screenings

Six Movies Show How Hollywood Has Grappled With 9/11

Lily James Horror Film ‘Seasons’ Lands Fall 2027 Release From Amazon MGM (Exclusive)

Bassam Tariq, Liz Garbus and Elizabeth Wolff Set for Gotham Week Honors (Exclusive)

Toronto’s New Film Market Opens With Werner Herzog, Tom Hanks and a Zack Snyder Passion Project

‘The Trial of Alec Baldwin’ Trailer: Rory Kennedy Takes a Verité Look at ‘Rust’ Shooting and Subsequent Legal Battle

‘X-Men’ Movie: Asa Germann Nabs Role of Angel (Exclusive)