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‘Star Wars: The Mandalorian and Grogu’ Opens to Series-Low $98M in North America. Does It Even Matter?

Stan Lee Documentary ‘The Final Chapter’ Lands Distribution (Exclusive)

Janel Parrish, Leslie David Baker, Erinn Hayes to Star in Dark Comedy ‘Stockholm Squad’ (Exclusive)

Mark Duplass Defends ‘Backrooms’ Director Kane Parsons Amid Speculation About 20-Year-Old Filmmaker’s Role

Rebecca Yarros Romance Novel Adaptation ‘The Things We Leave Unfinished’ Lands Thea Sharrock as Director (Exclusive)

Toronto Film Fest Sets Christopher Nolan Retrospective

Albert Wolsky, Oscar-Winning Costume Designer for ‘All That Jazz’ and ‘Bugsy,’ Dies at 95

Israel Doc Co-Production Forum CoPro 28 Unveils Lineup (Exclusive)

Russell Crowe Defends Brusque Warning to Autograph Seekers in Viral Video: “What’s Your Problem?”

She Won Cannes’ Best Documentary Award While Her Country Was at War

Pawel Pawlikowski, Ruben Östlund Set for Slano Film Days

Crunchyroll Anime Awards: ‘My Hero Academia’ Named Anime of the Year, ‘Demon Slayer’ Takes Best Film

Hollywood Ghosts the Croisette, Queer Cinema Owns It and AI Crashes the Party: Five Takeaways From Cannes 2026

Peter Helm, Actor in ‘Inside Daisy Clover’ and ‘The Andromeda Strain,’ Dies at 84

Cannes Winners Unveiled (Updating Live)

Cannes Palme d’Or Goes to Renate Reinsve, Sebastian Stan Starrer ‘Fjord’

Star Wars Box Office Rebound: ‘The Mandalorian and Grogu’ Makes Major Gains With 100M-Plus Domestic Opening

Mubi Takes Lukas Dhont’s ‘Coward’ for North America

Netflix Closes on U.S. Deal for Cannes Competition Film ‘The Black Ball,’ With Penélope Cruz and Glenn Close

Heist Comedy ‘Above the Line,’ Starring Sophia Ali and Cedric the Entertainer, Sets Release (Exclusive)

Mena Suvari, Jean Evans, Steph Tolev to Star in Teen Body-Swap Comedy ‘The Incredible Edible’ (Exclusive)

‘The Mandalorian & Grogu’ Won’t Lose Money. It May Not Rescue ‘Star Wars’ Either

Netflix Nabs Spec Script for Nuclear Weapons Thriller ‘Run the Football’ From ‘The Batman’ Producer (Exclusive)

‘Everytime,’ ‘Elephants in the Fog’ Win Cannes Un Certain Regard

CAA Sets Lineup for 11th Moebius Film Showcase

Mark Ruffalo, Javier Bardem, Ken Loach Sign Letter Protesting French Right-Wing Media Mogul

‘The Mandalorian and Grogu’ Munches on $12 Million in Thursday Previews

Park Chan-Wook’s ‘Brigands of Rattlecreek,’ Fernando Meirelles’ ‘Art’ Seal Int’l Pre-Sales Deals

Female Dogs and Directors Dominate Palm Dog Awards

Tales From amfAR’s $20 Million Cannes Fundraising Gala, Featuring Rami Malek and Heidi Klum

‘I See Buildings Fall Like Lightning’ Wins Directors’ Fortnight Audience Award

Zendaya Says Working on ‘Spider-Man: Brand New Day’ With Tom Holland Felt Like “Coming Home”

Mel Gibson’s ‘Resurrection of the Christ’ Unveils First Look at Jesus as It Pushes Release Date

‘Awards Chatter’ in Cannes: Julia Louis-Dreyfus on Comedy, Staying Relevant and New Animated Alzheimer’s Pic ‘Tangles’

Lupita Nyong’o Pushes Back on Critics of Her ‘Odyssey’ Casting

‘Into the Deep Blue’: First Look at ‘Maxton Hall’ Star Damian Hardung and ‘Ginny & Georgia’s’ Sara Waisglass (Exclusive)

Ayden Mayeri, Amira Casar Go on Dark, Sexy Grief Holiday in ‘Honeyjoon’ Trailer (Exclusive)

1-2 Special Acquires Cannes Critics’ Week Winner ‘La Gradiva’ for North America

Team Behind Americana at Brand Memes Account to Write Heist Comedy ‘Jay Pegs Auto Mart’

French Thriller ‘Too Many Beasts’ Wins Europa Cinemas Label Award at Cannes

Quentin Tarantino Warned Brad Pitt “You’ll Be Dead in This Business,” Co-Star Says

Imax Boards American Cowboy Doc ‘Frontier’ From ‘Oppenheimer’ Producer (Exclusive)

SPC Buys Animated Feature ‘Iron Boy’ Out of Cannes

Rami Malek Nearly Passed on AIDS-Era ‘The Man I Love’ Fearing Freddie Mercury Comparisons

Maika Monroe’s Wayward Governess Is Bloodthirsty in Gory Teaser Trailer for ‘Victorian Psycho’

Ruben Östlund Adds New Scene to ‘The Entertainment System Is Down’ With Nicholas Braun

Cannes Embraces Ira Sachs’ ‘The Man I Love’

‘Star Wars: The Mandalorian and Grogu’ Targets $80M-Plus U.S. Box Office Launch Amid Scrutiny Heavier Than Jabba the Hutt

‘La Gradiva’ Wins Cannes Critics’ Week

Netflix’s Cliff Booth Movie to Get Two-Week Imax Run