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Sat May 2
Barbra Streisand Unable to Attend Cannes Closing Ceremony After Suffering Knee Injury
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The Night ‘Pan’s Labyrinth’ Changed Cannes Forever
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As Hollywood Pulls Back, Northern Ontario Steps Up
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Ron Howard on Documentary Filmmaking, Richard Avedon and “Creative Endurance”
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Lars Eidinger: The Man Who Plays Monsters
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Why Scarlett Johansson Dodged James Gray’s Cannes FaceTime Call
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Keanu Reeves to Lead Voice Cast of ‘Hidari,’ Japanese Stop-Motion Samurai Epic From Director Masashi Kawamura
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The Indies Are Dying. Long Live the Indies
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‘Strawberries’ Director on Calling Out Modern-Day Slavery, Prostitution in Her Cannes Homage to Moroccan Fruit Pickers in Spain
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‘Paper Tiger’ Debuts to Spirited Ovation as James Gray Tells Audience “Cinema Needs You More Than Ever”
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Documentary Filmmaker Brian Lindstrom Dies at 65 After Battle With Rare Brain Disease
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3 Cannes Questions With… Lucy Liu
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Aura Entertainment Takes Renny Harlin’s Samuel L. Jackson Actioner ‘The Beast’ for U.S. (Exclusive)
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Cannes Legend Volker Schlöndorff Has No Regrets
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Box Office Thriller: ‘Michael’ Sashays Past ‘Prada 2’ With Stunning $26M After Returning to Imax and Other Premium Screens
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Welcome to ‘The Station,’ Where the Rules Are: “No Men. No Weapons. No Politics.”
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Cannes: Hirokazu Kore-eda’s ‘Sheep in the Box’ Premieres to Warm Reception
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Panama Film Founders on Their Big Cannes, Cinema as a Place of Longing, and Why They Love to Work With Auteurs Who Make Us Go “WTF?!”
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The Grande Dames: Joan Collins, Isabella Rossellini Bring Old Hollywood Class to Cannes
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German Dogma 25: German-Speaking Directors Launch Local Version of Danish Film Movement
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In French Animated Satire ‘Jim Queen,’ a Queer Influencer Contracts a Virus That Turns Gay Men Heterosexual. Mon Dieu!
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Hidden Gem No More: How San Sebastián Found Its Sweet Spot
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In Cannes, Male Drama ‘Almost There,’ From Sakha Director, Finds Partners in Japan, France
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‘Minotaur,’ Andrey Zvyagintsev’s Cannes Return, Is Shrouded in Mystery, But Here Is an Exclusive Clip
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In ‘Six Months in a Pink and Blue Building,’ a Director Revisits Family Pain in 1990s Mexico City Through a Lens of Love and Joy (Exclusive Cannes Clip)
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Cannes: ‘Gentle Monster’ Cheered at Premiere, Catapults Léa Seydoux Into Race for Fest’s Best Actress Prize and Oscar
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‘Sonic 4’ Director Reveals First Look at Metal Sonic as Shoot Wraps
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Nicolas Cage on Returning for New ‘Longlegs’ Project: “I Have the Pride of Ownership of That Character”
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Sam Raimi to Direct Modern Update of Ventriloquist Dummy Horror Movie ‘Magic’ for Lionsgate
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Tony Seiniger, Poster Designer and “Godfather of Movie Advertising,” Dies at 87
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Frank Sinatra-Focused Movie ‘Sinatra! Eternity,’ Starring the Late Michael Madsen, Lands Release (Exclusive)
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Box Office: Curry Barker’s Critical and Audience Favorite ‘Obsession’ Earns $2.6M in Previews
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How Jeremy Allen White Ended Up as Jabba the Hutt’s Son in ‘Mandalorian and Grogu’ — Helped By His and Jon Favreau’s Chef Connection
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John Travolta Teary as He Accepts Surprise Palme d’Or Before Directorial Debut ‘Propeller’ Screens at Cannes
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Sandra Hüller on Catching Hollywood’s Attention, ‘Hail Mary’ and Tom Cruise’s ‘Digger’: “It Impresses Me Beyond Anything I’ve Ever Seen”
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Jordan Firstman’s Cannes Title ‘Club Kid’ Already Has Approval From Rihanna
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Jordan Firstman’s ‘Club Kid’ Dances to Rave Ovation at Cannes World Premiere
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Maria Doyle Kennedy Nabs Lead in South Africa-Set Transgender Drama (Exclusive)
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Soccer Superstar Erling Haaland to Play Animated Viking in Film Debut (Exclusive)
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Valeska Grisebach on ‘The Dreamed Adventure’ and Playing the Long Game
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The Nomadic Film Space Launches at Cannes to Connect African Producers and Capital
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‘The Expendabelles,’ All-Female Action Spinoff of ‘The Expendables,’ Firing Up Again
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Saudi Arabia Jacks Up Film Incentives to 60 Percent
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‘The Mandalorian and Grogu’: First Reactions
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Uwe Boll Directing ’23 Years Later,’ an ‘Unofficial Sequel’ to ‘House of the Dead’ (Exclusive)
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Cate Blanchett’s Dirty Films Boards Doc ‘Fashionopolis’ Directed by Reiner Holzemer (Exclusive)
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And the Inaugural Gold Rush Pictures Berlinale Talents Lab Awards Winners Are…
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‘Promised Spaces’ Explores “How Architecture Embodies Social Segregation” (Exclusive Cannes Trailer)
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Cannes: ‘Parallel Tales,’ Iranian Master Asghar Farhadi’s Competition Film, Premieres to Polite Ovation
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