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Sebastian Stan Says “Invitation to Be Negative” in Society “Starts at the Top”: “It’s Just So Lazy”

HBO Buys Megan Rapinoe Doc, Betting on the Outspoken Soccer Legend (Exclusive)

Toronto: Anti-Trumpists Are Suddenly Big Progressive Documentary Funders

TIFF Flashback: Naomi Watts Cruised Into Toronto via ‘Mulholland’

Bill Kerby, Screenwriter on ‘The Rose,’ ‘The Last American Hero’ and ‘Hooper,’ Dies at 88

Warner Bros. Chiefs Double Down On Film Strategy: “We Really Believe In An Eclectic Slate”

Venice Critics’ Week Awards: Tommaso Usberti’s ‘Before the War’ Crowned Best Film

François Arnaud Boards Mike Birbiglia’s Focus Features Comedy ‘Old Friends New Friends’ (Exclusive)

‘Practical Magic 2’ Whips Up $4.7M in Box Office Previews

Jonathan Majors Delivers Anti-Islam Speech in Sequel to Daily Wire Thriller ‘Run Hide Fight’

Venice Days: María Aparicio’s ‘Sometimes Sadness, Sometimes Rebellion’ Wins GdA Director’s Award

‘Ancestors’ Invites You to a Cinematic “Séance,” Led by Éanna Hardwicke, That Mixes Dream, Reality and Memory (Exclusive TIFF Clip and Chat)

Why Hollywood Has Never Made a Great 9/11 Movie

‘Man in Motion: The Rick Hansen Story’ Doc Takes Viewers Back to 1980s Globe-Circling Wheelchair Trek: “It’s Just Insane”

Toronto: Global Media Producers Urge Stronger Local Content Laws to Fend Off Streaming Domination

Justin Trudeau Launches His Own Film and TV Production Banner

How ‘Obsession’ Rewrote TIFF History

The Don of Hollywood North Takes His Final Bow

Toronto Builds Its One-Stop Shop

Female-Led Producer Candid Broads Is Proud to Stand for New Voices, Impact and Representation

Sian Heder Says “Collective Action Matters” as ‘Being Heumann’ Opens Toronto Film Festival

‘Practical Magic 2’ Aims to Make ‘Spider-Man’ Disappear From No. 1 at Box Office