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Daisy Edgar-Jones Starrer ‘Tomorrow, and Tomorrow, and Tomorrow’ Lands 2027 Date

Warner Bros.’ Mike De Luca and Pam Abdy to Keynote Toronto Film Festival

Glenn Danzig to Direct Adaptation of His Comic ‘Hellmask’ (Exclusive)

Legendary Producer Larry Gordon, at 90, Delivers the Oscar Speech He Never Got to Give

‘A Quiet Place’ Duo to Direct High Concept Sci-Fi Movie for Amblin, Universal (Exclusive)

‘Supergirl’ Soars in First Reactions: “Jason Momoa Was Born to Play Lobo”

David Sheiner, One of the Poker Players in ‘The Odd Couple’ Movie, Dies at 98

‘How the Grinch Stole Christmas’ Sequel in the Works with Jim Carrey, Ron Howard (Exclusive)

John Byrne Returns to X-Men, the Superheroes that Made Him Famous, to Say Goodbye: “Leaving in a Blaze of Glory”

Apple Reteams With Peter Baynton to Adapt ‘Little Santa’ Book as Animated Feature

Kate Hudson-Javier Bardem Rom-Com ‘Hello & Paris’ Adds 6 to Cast at Amazon MGM (Exclusive)

‘Two Prosecutors’ Set for Criterion Channel in U.S.; Sergei Loznitsa Explains Visual Rules (Exclusive)

Karlovy Vary Fest Adds Cannes Winner ‘Fjord’ and ‘Teenage Sex and Death at Camp Miasma’

Richard Linklater to Get Lifetime Achievement Honor at Zurich Film Fest

Locarno: Rick Baker, Seven-Time Oscar Winner and Makeup Effects Artist, to Receive Vision Award

The Turkish Front-Runner at Shanghai That Turns Personal Trauma Into Universal Fear

Ben Stiller Teams With A24 and HBO for New York Knicks Doc

Shanghai: Kering’s Women in Motion Reflects on Changing Times, Offers Inspiration

How Asian Animators Are Cracking the Code of Cross-Cultural Storytelling

Shanghai’s Rising Filmmakers Get a Master Class From the Festival Elite

A Parking Spot, a Philosophical War and the Most Talked-About Film at Shanghai