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Variety

Drake Reveals ‘Fear of Missing Out’ Teaser, Says Project Is a ‘Not So Short Film’

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Love Has Everything to Do With It: Darlene Love, Producer Taraji P. Henson and Director Barry Avrich on ‘Darlene Love: I Know Where I’ve Been,’ a Stirring Music Doc Premiering in Toronto

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Venice Film Festival Reveals Award Winners (Updating Live)

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Jeremy Thomas Remembered as a Filmmaker ‘Full of Stories’ and a ‘Rebel With Taste’: ‘The Canon of His Work Is Unmatched’

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Kling AI’s TIFF Market Panel Illuminates Tech Challenges and Human-Led Solutions in AI Filmmaking: ‘The Script Is Still the Blueprint’

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‘The Odyssey’ Becomes Universal’s Highest-Grossing Film of All Time

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Courteney Cox on Her TIFF True-Crime Drama ‘Evil Genius’: ‘The Story Is So Unbelievable’

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‘Sámi Blood’ Director Amanda Kernell Explores Forgiveness in ‘Brace Your Heart’: ‘It Can Be a Matter of Survival’

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Kamila Andini Says Anger Is ‘Liberating’ as She Brings Furious ‘Four Seasons in Java’ to Toronto

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Box Office: ‘Practical Magic 2’ Conjures Up $13 Million on Friday as ‘Spider-Man: Brand New Day’ Nears All-Time Domestic Box Office Record

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Jorge Alonso’s Spanish Romance Drama ‘All That We Never Were’ Sells to France and India (EXCLUSIVE)

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‘Boatbuilders’ Review: A Mellow Maine Boatyard Study That Offers All the Quiet Rewards of Fine Craftsmanship in Action

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Filmax Launches Mar Olid’s ‘The Wedding Hustlers’ (EXCLUSIVE)

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Toronto Title ‘Sisters,’ Starring Spain’s Elena Anaya and Emma Suarez, Forces a Family to Visit Fears and Taboos

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Menswear Designer Todd Snyder on His Brand’s 15th Anniversary and Having Ryan Gosling and Matt Bomer as His First Celebrity Customers

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Antonio Banderas, Trudie Styler and Eva Birthistle on the Sorrow and Joy of TIFF Medical Dramedy ‘Up Against It’

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‘Family Stone 2’ Gets Official Title ‘The Families Stone’ and Sets Cast: Rachel McAdams, Sarah Jessica Parker and More Returning

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Sarah Paulson Has Waited Forever for a Movie Like ‘Closing Night’: ‘I Wasn’t This Hot, Young Nubile Thing’

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Taiwan Strengthens Global Co-Production Presence at Toronto Film Festival With ‘Happily Ever After,’ ‘The Age of Goodbyes’ and ‘Arrested Memory‘

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Sci-Fi Franchise ‘Kri8 Universe’ Launches at Toronto Market (EXCLUSIVE)

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Nishikawa Miwa Confronts Japan’s Failure to Protect Its War Orphans in Toronto Platform Opener ‘Children Untold’

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Female Bucking Bronc Riders Take Center Stage in ‘Cheyenne,’ TIFF-Bound Doc Produced by Jenna Bush Hager (EXCLUSIVE)

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From ‘American Hostage’ to Podcasts, Hollywood Digs Deeper Into Digital IP — But Will the Same Stories Told on Different Platforms Hurt Business?

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Jeremy Thomas, Legendary British Producer and Oscar Winner, Dies at 77

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Liam Neeson on the ‘Rage’ Behind ‘The Lost Children of Tuam’ and Turning Producer for First Time to Tell Story of Irish Scandal

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Maisie Williams Thriller ‘Ignition’ Bought by Saban for North America (EXCLUSIVE)

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‘On Behalf of My Son’ Director Gabriel Martins on Black Brazilian Representation in His Films: ‘It’s a Life Project To Me, Not Just Cinema’

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First Clip of ‘Club Kid’ Star Jordan Firstman as U.S. Voice Cast Lead in Cannes Breakout ‘Jim Queen’ (EXCLUSIVE)

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‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance

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‘Totém’ Director Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look (EXCLUSIVE)

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Gary Oldman Predicts HBO’s ‘Harry Potter’ Series Will Be ‘More Satisfying’ for Fans Than the Movies

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Paramount Argues States’ Antitrust Suit Will ‘Collapse Under Scrutiny’

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Jimmy Kimmel’s Pulled TV Interview With James Talarico Hits 5 Million Views in 24 Hours on YouTube

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‘The Julia Set’ Review: Chase Infiniti Confirms Her Movie-Star Mettle in Niki Byrne’s Riveting Math-Geek Bad Romance

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Lil Durk Acquitted in Murder-for-Hire Trial

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‘The Uprising’ Star Woody Norman on the ‘Power Trip’ Playing King Richard II and Going Meatless at Age 10 After Working With Joaquin Phoenix

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Ocean Way Festival Featuring Killers, Olivia Dean and Jack White Is Canceled, as Santa Monica Blames Beach Damage From Hurricane Forces

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Pink Explains Slamming Macklemore’s Pro-Palestine Performances, Acknowledges Heavy Backlash: ‘I’m Standing Up for My Own People, and I Thought I Knew How Lonely That Would Be. It’s Lonelier Than That’

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Sebastian Stan on Why ‘Fjord’ Is Being Called a ‘MAGA Movie’ and How Making ‘The Batman 2’ Feels Like ‘F—ing Godfather Part 2’

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‘Onwards and Sideways’ Director John Madden on Returning to TIFF After 16 Years With His Parkinson’s Romantic Drama Starring Laura Linney and Rhys Ifans

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‘Obsession’ One Year Later: Inde Navarrette and Curry Barker Dish on Memes, How Nikki Became More ‘Flirty’ and Their Wild Ride at TIFF

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Watch Brandi Carlile and Bonnie Raitt Duet on ‘Love Me Like a Man’ for ‘Austin City Limits’ Premiere, Plus a Web-Only Bonus, ‘Angel From Montgomery’ (EXCLUSIVE)

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‘It: Welcome to Derry’ Creators Andy and Barbara Muschietti on Late Tim Curry: ‘His Legacy Is Incredible’

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Russell Crowe Wipes Away Tears at Venice Premiere of Music Documentary ‘What Love Builds’ as Fans Yell ‘We Love You!’

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‘Let Us Through, Dear Ancestors’ Review: Lav Diaz Delivers an Immaculate, Slow-Burn Period Drama of Rare and Restless Insight

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No, Tom Cruise’s ‘Digger’ Isn’t a Musical

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‘Beef’ Creator Lee Sung Jin Pitched Charles Melton on the Show Over Dinner: ‘By the Third Appetizer He Said Yes’

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Sandra Bullock Rejected ‘Every Pervert’ in Auditions ‘Asking Me to Drop My Pants’ and Stopped Acting in Rom-Coms When ‘I Was Getting So Much S— For Them’

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Court to Hold Paramount-Warner Bros. Settlement Conference in Late October

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‘Back to Buenos Aires’ Review: Marco Bechis’ Return to the Screen Covers Similar Ground to Earlier Works but is Only Fitfully Effective

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