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Variety

Belgian Royalty Series ‘King of Hearts’ Secures Key VRT Backing (EXCLUSIVE)

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The Next James Bond Has Been Picked, Says Gary Oldman, Whose ‘Fingers Are Crossed’ for ‘Slow Horses’ Co-Star Jack Lowden

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Tom Rothman on Sony’s ‘Spider-Man: Brand New Day’ Blockbuster Success, Being Outbid for ‘Obsession’ and More

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‘SNL U.K.’ Adds Freddie Meredith to Cast

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Pamela Anderson Speaks Out on Overcoming Hepatitis C in Powerful Speech at amfAR Venice: ‘I’m Not a Victim. I’m a Victor’

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Female-Driven, Premium Period Dramas Spearhead Latest French Fiction Revolution

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Screen Industries Adopt Five Thematic Declarations at Lumiere Summit, Setting Terms on AI, Piracy, Gender, Education and the Environment

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France Launches Global Initiatives to Support Independent Cinema and Establish Framework for Alliance of State Film Commissions: Lumiere Summit

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Emmanuel Macron Calls for Global Initiatives to Protect Film and Warns About Dangers of Social Media as Lumiere Summit Opens

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Toho Europe, Indonesia Film Fund, Cinepolis Pact Among Deals Unveiled at Lumiere Summit

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Regal Cinemas, IFTA, CNC Launch Pilot to Test Whether Smarter Programming Can Reverse Falling Theater Admissions

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Heritage Foundation ALIPH Targets Ukraine, Syria and Indonesia in New Film Rescue Program

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France and Korea Launch $1.16 Billion Screen Industry Financing Partnership at Lumiere Summit

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France TV Distribution Unveils Female-Led Actioners in Le Havre Lineup

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Louis Garrel on Being Nanni Moretti’s Alter Ego and Doing Sex Scenes With Jasmine Trinca in ‘It Will Happen Tonight’: ‘You Have to Feel a Real Connection’

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France’s Halley Production Boards Thriller ‘Carro Seco,’ About Killer Who Targets Unscrupulous Barcelona Real Estate Speculators (EXCLUSIVE)

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‘Strawberry and Chocolate’ Star Jorge Perugorría and Brazil’s Thiago Lacerda Lead Havana-Set ‘Hotel Nacional’ (EXCLUSIVE)

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‘The Inbetweeners’ Original Lead Cast Confirmed for Netflix Reunion Movie as Production Kicks Off in U.K.

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‘You Can See Everything’ Review: Nathan Fielder’s Documentary About Elizabeth Holmes Is a Shameless, Fascinating, Reality-TV-Eats-Its-Tale Look at Entitled Duplicity

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‘Into the Breach’ Review: Star-Studded British Theater Doc Needs More Time to Serve Its Sprawling Subject Matter

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Arte France’s ‘Tax Me (If You Can)’ Sells to Multiple Territories: ‘Getting Rich People to Talk About Money Was Tough,’ Says Director (EXCLUSIVE)

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Lav Diaz on the Hunt for Truth in ‘An Entry Into the Sadness of a Portuguese Woman,’ Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)

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Gaza Cinema Academy Launches at Venice Film Festival

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French Drama Series ‘The Red and the Black’: Passion, Power, Political Intrigue and Victor Belmondo’s Anti-Romantic Hero

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Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng

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Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE)

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AI Filmmaking’s Future Debated by Alibaba, Sonilo, PROMPTR Executives at TapNow and Dogme23’s Venice Production Bridge Panel

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Kore-eda Hirokazu on Adapting Fujimoto Tatsuki’s Manga for Venice Competition Film ‘Look Back’

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‘Making Marie Antoinette’ Review: The Late Eleanor Coppola’s Doc on Her Daughter’s Film is Full of Gorgeous Details and Maternal Affection

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Rob Reiner Wins Posthumous Emmy for ‘The Bear’

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Linda Cardellini Wins Emmy for Supporting Actress in a Limited Series for ‘DTF St. Louis’

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David Harbour Wins Emmy for Supporting Actor in Limited Series for ‘DTF: St. Louis’

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Nathan Fielder Drops Weird Trailer for Secret Elizabeth Holmes Doc ‘You Can See Everything’

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Tokyo Film Festival Adds Nippon Cinema Now Competition, Crosscut Asia+ Section, New Award Honoring Women in Film

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Hong Sangsoo’s Locarno Winner ‘Nowhere to Lay My Eyes’ Anchors Wave of Sales Deals for Finecut Ahead of Toronto

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‘Widow’s Bay,’ ‘DTF: St. Louis’ and ‘Spider-Noir’ — Despite Its Cancellation — Dominate Creative Arts Emmys Night 2 Winners (FULL LIST)

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Andy ‘The Butcher’ Williams, Musician and Wrestler, Dies After Match

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Netflix Bets ‘Ink’ and Its Timely Rupert Murdoch Story Can Win Oscars for Danny Boyle and Guy Pearce

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John Turturro Has Waited 40 Years for an Oscar Nomination. ‘The Only Living Pickpocket in New York’ Makes the Case

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‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy

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Macklemore Calls Out ‘Free Palestine’ Onstage, Spurring Petition Demanding He Leave Ed Sheeran Tour

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‘Agata the Writer’ Review: Mia Wasikowska Plays an Author Adrift and Short of Ideas, in a Sly, Witty Film With Plenty

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Podcaster Amanda Hirsch Apologizes for ‘Insensitive, Wrong’ Polymarket Lindsay Clancy Sponsored Content: ‘I Should Have Known Better’

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‘Possible Love’ Cast Sobs as Lee Chang-dong’s Epic Embraced at Venice With 6-Minute Standing Ovation

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‘The Echo Chamber’ Review: Luca Marinelli, Alicia Vikander and Susan Sarandon Reverberate Through a Smoky, Somber Single-Location Love Story

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Box Office: ‘Spider-Man: Brand New Day’ Remains No. 1 in Sixth Weekend, Nears ‘Avengers: Endgame’ All-Time Domestic Record

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At Telluride Film Festival, Bill Gates Compares Lack of Control Over AI to HAL in ‘2001’: ‘You Could Say “Please Shut Down,” and It Would Say, “OK, I Took That Under Advisement, But…”‘

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Luc Besson Calls Madonna a ‘Phenomenon,’ Admits He’s Developing Another ‘Crazy’ Sci-Fi Story: ‘You Will Need a Ticket — And an Aspirin’

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