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Mon Aug 17
‘Wheel of Fortune’ Announcer Jim Thornton Allegedly Visited Pedophilia Chatroom, Leading to Suspension
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Mellody Hobson Tears Up Talking About Why Husband George Lucas Was Unwilling to Compromise on Lucas Museum of Narrative Art: ‘I Saw Genius Work’
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Dolly Parton Gets New Hollywood Walk of Fame Star After Original Was Vandalized Following Her Death
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Alix Earle Rips Into ‘Toxic’ Alex Cooper in Fiery Statement on Feud: ‘The Way You Approach Business Is Disgusting. You Choose Money Over Morals’
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Producers United Joins Bipartisan Push for Federal Film and Television Production Tax Incentive
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‘Onslaught’ Director Adam Wingard on Adding Kink to His Movie, Why the Bad Guys Look Like ICE Agents and Spending ‘A Decade Slaving Away in the Studio System’ Making ‘Godzilla’
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Amber Eggers, ‘Love After Lockup’ Star, Dies at 41
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KJ Apa, Isabel May and Archie Renaux YA Romance ‘Falling’ Getting North America Theatrical Release From Brainstorm Media (EXCLUSIVE)
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Chloé Zhao Defends Comic-Book Movies: ‘It’s Important to Not Write Off Stories Because We Don’t Consider Them High Art’
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‘The City of the Living’ Review: A Superbly Acted and Heartbreakingly Real Story Based on a Real Event That Shook Rome to Its Core
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Jeff Bezos Tells William Shatner How His Childhood Love of ‘Star Trek’ Inspired Him to Go to Space With Blue Origin: ‘All Those Things Are Linked’ (EXCLUSIVE)
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‘Al Baraneya’ Review: Cinema Verité Doesn’t Get More Naturalistic Than Egyptian Director Ashgan El-Hamus’ Impressive Debut
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‘Fauda’ Creator Calls Mark Ruffalo a ‘Rare Combination’ of ‘Stupid’ and ‘Ignorant’ After His Viral Statement on Paramount: ‘Do You Understand What It Means, “Genocide”?’
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‘Mayday’ Review: Ryan Reynolds and Kenneth Branagh Are Unlikely Cold War Buddies in a Pleasing Eighties Throwback
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Maria Bartiromo’s Lawyer Says Anchor Was Not Fired by Fox News
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Global Content Industry Leaders Gather to Discuss ‘Multilateralism for the Moving Image’ at France’s Lumiere Summit
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Digital Creator Skyelar Chase Signs With Innovative Artists Entertainment
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Rising Pop Badass Adéla Arrives in a Big Way With ‘Prima’: Album Review
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‘Harry Potter’ HBO Series Casts Dobby, Ginny Weasley and Tom Riddle for ‘Chamber of Secrets’ Season 2
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‘A Place to Heal’ Review: Cédric Kahn’s Rawly Sensitive Film Chronicles the Daily Tumult of an Adolescent Psychiatric Ward
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Lea Salonga on ‘Miss Saigon,’ ‘Aladdin’ and Supporting Her Trans Son Amid Anti-Trans Rhetoric: ‘It Makes Me Intensely Afraid and Not Just for My Child’
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Jeff Zucker on How He Ended Up Playing Himself in A24’s ‘Primetime’: ‘Jacob Elordi Wasn’t Available’ (EXCLUSIVE)
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Ann Hui, Carlo Chatrian to Head Pingyao’s Fei Mu, Rossellini Juries
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Adria Arjona Details ‘Superman’ Sequel Training Amid Wonder Woman Rumors: 2 Hours of Weightlifting, 6 Rounds of Boxing and More
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Donald Trump Sounds Off on Maria Bartiromo’s Shock Exit From Fox News: Her ‘Many’ Fans ‘Will Not Be Happy’
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‘Game of Thrones’ Creator George R.R. Martin Confirms Play ‘The Mad King’ Will Transfer to London
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Don Lemon to Launch FAST Channel on Linear, Streaming Venues
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CNBC Veteran Rick Santelli to Exit in October
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Nanni Moretti’s ‘It Will Happen Tonight’ Sells Widely Ahead of Venice Launch – Clip (EXCLUSIVE)
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Iranian Director Mohsen Gharaei, in Venice With ‘Falling House,’ Set to Shoot ‘Centrifugal Force’ (EXCLUSIVE)
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‘Boys of Tommen’ Adds Jonathan Forbes, Cobhan O’brien, Harvey Moloney and More to Cast (EXCLUSIVE)
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George Clooney Says the Government Shouldn’t Regulate AI: ‘These Are Not the People You Want to Entrust the Holy Grail With’
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‘Spider-Man’ and ‘The Odyssey’ Propel U.K. Box Office to Best August Since 2018
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Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’
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Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)
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‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run
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Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)
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Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host
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Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)
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Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze
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Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)
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Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)
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Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review
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Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’
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Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’
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Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)
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AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)
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In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions
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Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)
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‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’
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