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Variety

Estonia Plans to Triple Its Film Industry as Two New Sound Stages Take Shape

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Canadian Grand Prix 2026: Here’s Where to Watch F1 Online for Free

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Valeska Grisebach on Subverting the Western Genre in Cannes Palme d’Or Contender ‘The Dreamed Adventure’

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Inside amfAR’s Cannes Gala as Rami Malek, Eva Longoria, ‘Summer House’ Star Ciara Miller and Lizzo Help Raise $20 Million for AIDS Research

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Sofa to Launch 16 Linear TV Channels on YouTube in Brazil, Latin America, the U.S. and Portugal (EXCLUSIVE)

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Olivia Rodrigo Is Heartsick Again With ‘The Cure’ and, Well, That’s a Little More Like It: Single Review

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Trump Celebrates ‘Total Jerk’ Colbert’s CBS Exit; Late-Night Host Once Told President ‘Go F— Yourself’

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Globo to Launch Soccer-Themed, Vertical Microdrama ‘Quando O Coração Entra Em Campo’ in August (EXCLUSIVE)

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Sony Pictures Classics Acquires Cannes’ Documentary Prizewinner ‘Rehearsals for a Revolution’

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Dario Argento Unveils Thriller Trilogy in Cannes While Honored at the Marché Du Film’s Fantastic Pavilion

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‘Congo Boy’ Review: Congolese Filmmaker Rafiki Fariala Finds Poetry in the Chaos of War Displacement

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How Japan IP Adaptation ‘Cat’s Eyes’ Cracked France’s Youth Audience – and What the Global Rollout Taught Its Makers

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Cannes Palm Dog Award Goes to Yuri, Chilean Rescue Dog and Star of ‘La Perra’

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Oscar-Winning Producer Guneet Monga Kapoor on Genre Pivot, Women in Film India at Cannes: ‘I Am Ambitious, and I’m Not Scared About That Ambition’

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Saudi Powerhouse MBC Studios Unveils Slate Toplined By High-End Horror Movie ‘Traveller’s Hell’

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Rodrigo Teixeira, Milagros Mumenthaler and Rodrigo Sorogoyen to Deliver Masterclasses and Talks at Madrid ECAM Forum Co-Pro Market

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Ken Loach’s Sixteen Films Boards Elham Ehsas’ Afghan Astronaut Doc ‘Forgotten Spaceman’ (EXCLUSIVE)

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Huma Qureshi on ‘Toxic,’ a Sign-Language Assassin Film She Produced Herself and Why She Won’t Play ‘the Impoverished Brown Woman With a Problem’

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Christina Hendricks, Naomie Harris Set for New Legal Drama ‘Reputation’ From BBC

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Penelope Cruz Reveals She Was Warned of Brain Aneurysm Mid-Shoot on Cannes Favorite ‘The Black Ball’: ‘I Thought I Was About to Die’

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The Fantastic Organization – Led by Xavier Gens – Launches at Cannes to Make Sure ‘The Next Generation Has Everything They Need to Keep Screaming’

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‘One Piece’ Producer Fujimura Charts Japanese IP’s Rise From Manga Magazines to Hollywood Mega-Franchises

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‘Low Expectations,’ Starring Singer-Songwriter Marie Ulven, Sells to Multiple Territories Following Premiere in Cannes Directors’ Fortnight (EXCLUSIVE)

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Rio2C 2026 Highlights Top Brazilian Creative Industry Talents

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‘Hokum’ Producer Steven Schneider Boards Debut Horror ‘Recluse’ Ahead of Tribeca Bow (EXCLUSIVE)

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Javier Bardem, Mark Ruffalo and Ken Loach Join Petition Against Vincent Bolloré

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Japanese Cinematographer Ashizawa Akiko on Sneaking Angles Past Directors, Blowing Past ISO Limits and Why Bell Peppers Make the Best Color Charts

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TIFFCOM, Frontières to Serve up New Genre Market Program in October (EXCLUSIVE)

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YouTube International Boss Pedro Pina to Deliver Edinburgh TV Festival’s MacTaggart Lecture

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‘White Lotus’ Generated $36.5 Million in Thailand Spending and 300% Tourism Surge, Trade Chief Says

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‘Big Mouth’ Creators Take Their Signature Raunch to the Animal Kingdom With Follow-Up ‘Mating Season’: TV Review

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Thai Director Sompot Chidgasornpongse on ‘9 Temples to Heaven,’ His Debut Feature at Cannes Directors’ Fortnight

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Chinese Drama ‘My Dearest Stranger’ Secures Asia Deals (EXCLUSIVE)

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‘The Late Show With Stephen Colbert’ Series Finale Was a Letdown: TV Review

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‘I See Buildings Fall Like Lightning’ Review: Clio Barnard Returns With a Clunky Social-Realist Weepie About Five Friends in Birmingham

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Hamaguchi Ryusuke on Cannes Palme d’Or Contender ‘All of a Sudden’: ‘What I Was Moved By Was What Was in the Book Itself’

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Stephen Colbert Ends ‘Late Show’ With Joyous Paul McCartney ‘Hello Goodbye’ Performance, as Ex-Beatle Turns Lights Out at Ed Sullivan Theater

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Stephen Colbert Fans Explain Why They Believe CBS Canceled ‘The Late Show’: ‘It Was Politically Motivated’

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‘Slow Horses’ Star Antonio Aakeel Makes Directorial Debut With Short Film ‘Lessons in Pretending’ (EXCLUSIVE)

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‘Ladies First’ Review: Sacha Baron Cohen and Rosamund Pike Trade Places in a Dated Battle-of-the-Sexes Comedy

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Quentin Tarantino Butted Heads With Brad Pitt While Filming ‘Once Upon a Time… in Hollywood’: ‘You’ll Be Dead in This Business’

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‘Miracle in Cell No. 7’ Helmer Lee Hwan-kyung Sets ‘Gasigogi’ With Falcon Pictures (EXCLUSIVE)

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‘Ghosts’ Finale: Star Richie Moriarty on What Happens to Pete and His Future on the Show

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Emmys: Guest Actor/Actress — Colman Domingo, Michael J. Fox, Shailene Woodley and Jamie Lee Curtis Lead Star-Studded Field

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CAA Gathers Top Filmmakers, Studio Execs for Cannes Symposium on the Future of Film With Finch & Partners

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Charli xcx Serves High Fashion on the Runway in ‘SS26’ Music Video

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Harry Styles Celebrates Radiohead, Rosalia and Lola Young Win Big, Multiple Artists Slam A.I. at Chaotic Ivor Novellos Songwriter Awards

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Natalie Lander, Jason Alexander, Patton Oswalt, Richard Kind and More Board Indie Comedy Pilot ‘To Life’ From ‘Young Sheldon’ Producer David Bickel (EXCLUSIVE)

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‘Coward’ Review: Lukas Dhont Brings His Signature Aching Sensuality to the War-is-Hell Genre, and Makes His Most Satisfying Film to Date

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‘Michael’ Sequel: Lionsgate Film Chief Promises ‘A Big and Satisfying Movie’ With ‘Most Popular’ Music Still to Come

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