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Variety

Sundance Film Festival Director Eugene Hernandez Previews Boulder Move and Efforts to Take Screenings to ‘Exciting New Level’

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Warner Bros. Discovery Opens Upfront Presentation With Tribute to Ted Turner by Anderson Cooper

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MS NOW Programming Changes Start in Mid-June

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‘Heated Rivalry’ Showrunner Jacob Tierney and His Music Team on Scoring Sex Scenes, and Why Including T.A.T.u’s ‘All the Things She Said’ Was a ‘F— You to Russia’

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Vixens, Backer of ‘Paper Tiger’ and ‘Full Phil,’ Launches Ambitious Slate With Films From Kim Chapiron, Nima Nourizadeh, Jessy Moussallem, Eva Vik and Yann Demange (EXCLUSIVE)

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Katseye Announces ‘Wildworld’ 2026 Tour Dates

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‘Butterfly Jam’ Review: Barry Keoghan and Riley Keough Are Circassian Siblings in Kantemir Balagov’s Vibrant but Unruly Community Portrait

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Broadway’s ‘Giant,’ Starring John Lithgow, to Debut on Big Screen This Fall (EXCLUSIVE)

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Broadway’s ‘Fallen Angels,’ Starring Rose Byrne and Kelli O’Hara, to Livestream in June (EXCLUSIVE)

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Olive Nwosu’s Sundance-Winning Debut Feature ‘Lady’ Acquired by Cohen for U.S. (EXCLUSIVE)

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YouTube Sees Growing Share of Consumers Eager to Watch Its Videos

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Nine Major TV Companies in Partnership to Tie Commercials to Business Results

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Hannah Einbinder and Gillian Anderson on ‘Embracing Desire,’ Sex and a Ton of Blood for Cannes’ Queer Horror Slasher ‘Camp Miasma’

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‘Dua’ Review: A Conflicted Kosovan Coming-of-Age Drama Beset by War

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Berlin-Based Data-Driven Submission Platform Miralot Aims to Better Connect Filmmakers and Festivals (EXCLUSIVE)

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Peter Jackson Says ‘I Don’t Dislike’ AI in Film, Explains Not Directing Next ‘Lord of the Rings’ Movie and Claims AI Debate Is Why Andy Serkis Won’t Win an Oscar for Gollum

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‘Pirates of the Caribbean’ Immersive Experience Set to Sail Into U.K. With Secret Cinema, Disney Theatrical Group

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Macaulay Culkin ‘Had Unfinished Business’ With ‘Home Alone’ Mom Catherine O’Hara When She Died: ‘I Owed Her a Favor. I Don’t Like Having Outstanding Debt’

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Australia’s Screen Sector Is Booming. Now Comes the Harder Work

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‘Mutt’ Star Lío Mehiel, ‘House of the Dragon’s’ Emily Carey to Lead Neo-Western ‘Camino,’ Beso and Pucci Productions Launching at Cannes Market (EXCLUSIVE)

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Clémence Poésy Directorial Debut Among 18 Projects Pitched by Participants of Producers on the Move Program in Cannes (EXCLUSIVE)

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Julia Louis-Dreyfus Roasts Stephen Colbert as Selina Meyer From ‘Veep’ Before ‘Late Show’ Ends: ‘Your Cancellation Gave Trump Such Pleasure,’ You’re the ‘Stormy Daniels of Late Night’

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Indonesian Horror Slate Heads to Cannes Film Market as Producer Intan Kieflie Launches ‘Ibu’ (EXCLUSIVE)

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‘In Waves’ Review: Elegantly Animated Adaptation of AJ Dungo’s Bestseller Is an Unapologetically Conventional Tearjerker

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‘Zero Meets Hero’ Leads Mockingbird Pictures’ Cannes Film Market Slate of Vietnamese Commercial Titles (EXCLUSIVE)

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Thai-Chinese Thriller ‘Someone Special’ Lands at Fearfolks for Global Sales (EXCLUSIVE)

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Cannes Un Certain Regard Title ‘Elephants in the Fog’ Lands First Deals, Debuts Trailer (EXCLUSIVE)

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Saudi Arabia’s Shattered Hollywood Dreams: Will the Warner Bros. and Paramount Merger and a Shift in Strategy Help the Kingdom Rebound?

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French Deal for Cannes-Selected U.S.-Set ‘I’ll Be Gone in June’ Sealed by Luxbox, Trailer Released (EXCLUSIVE)

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Together Films Boards Queer Romeo and Juliet Pic ‘Lisa & Lilly’ From ‘Young Royals’ Helmer Julia Lindström (EXCLUSIVE)

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From the Psychological to the Ancestral, Blood Window Showcase Is Set to Scare Audiences at Cannes’ 2026 Marché du Film (EXCLUSIVE)

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Marion Cotillard on Choosing Family Over Hollywood, ‘Contagion’ in the Time of Hantavirus and Brutal Cannes Premiere ‘Karma’

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New AI Disclosure Standard for Film Launched at Cannes Film Market (EXCLUSIVE)

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‘Rush Hour 4’ Director Brett Ratner Reportedly Heading to China With Trump to Scout Locations

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David Jonsson Joins Gracie Abrams, Connor Storrie and Tom Burke in A24’s ‘Please’ From ‘Babygirl’ Director Halina Reijn (EXCLUSIVE)

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Dennis To Returns for New ‘Ip Man’ Spinoff ‘Kung Fu Legacy’ (EXCLUSIVE)

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Myriad Pictures Nabs North American Rights to Sebastian Schindel’s ‘A Silent Death’ (EXCLUSIVE)

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‘Sheep in the Box’ Expands Kore-eda Hirokazu’s Empathy to Humanoid Androids and the Architecture They Inhabit

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Latest Film by ‘Perfect Strangers’ Director Paolo Genovese ‘The Sound of Something New’ Scores Sales in Cannes via RAI Cinema (EXCLUSIVE)

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Garret Dillahunt, Michelle Hurd and Henry Ian Cusick Team for Psychedelic Amazon Thriller ‘Bloodwood,’ Essential Launching in Cannes (EXCLUSIVE)

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Jim Thompson Thriller ‘The Ideal Man,’ About CIA Agent Turned Thai Silk King Who Disappeared, Set at Foreign Concept Entertainment (EXCLUSIVE)

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‘Quadrophenia’ Doc, Zandra Rhodes Film Among Projects at Sadie Frost and Simon Jones’ New Company Frost&Jones (EXCLUSIVE)

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Vietnamese Horror ‘The Scourge,’ Inspired by Hit Video Game, Leads Skyline Media’s Cannes Film Market Slate (EXCLUSIVE)

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Filmax Gathers ‘Moss’ (EXCLUSIVE)

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Amy Madigan, Chris Cooper Set for John Sayles’ Western, ‘I Passed This Way’ (EXCLUSIVE)

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Martin Moszkowicz Teams Up With Philipp Keel of Publishing Giant Diogenes to Produce Films and Series Adapted From Its Rich Library (EXCLUSIVE)

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MK2 Films Acquires Classic Films by Auteurs Michael Haneke, Ang Lee, Xavier Dolan (EXCLUSIVE)

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Kôji Fukada on What Drives His Cannes Competition Debut ‘Nagi Notes’: ‘I Believe What Is Being Tested Now Is the Evolution of Democracy’

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‘My Notes on Mars’ Starring Mackenzie Davis and Rupert Friend Sells in Major Territories (EXCLUSIVE)

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Donald Gibb, ‘Revenge of the Nerds’ and ‘Bloodsport’ Actor, Dies at 71

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