← Back to news
V

Variety

Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’

V

Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)

V

‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run

V

Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)

V

Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host

V

Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)

V

Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze

V

Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)

V

Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)

V

Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review

V

Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’

V

Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’

V

Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)

V

AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)

V

In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions

V

Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)

V

‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’

V

Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”

V

Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni

V

‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’

V

Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’

V

‘Jupiter’ Director Alexandre Smia on Making a Nuclear Thriller That Suddenly Feels Terrifyingly Real: ‘We’ve Entered the Third Nuclear Age’

V

‘Dogs’ Director Bogdan Mirică to Take a Stab at Creator Economy With Biting Comedy ‘Magnum Opus’: ‘We’ve Taken It Too Far’

V

‘Pamfir’ Helmer Dmytro Sukholytkyy-Sobchuk Realized His Kyiv Apartment ‘Could Be Bombed Any Day,’ So He Remortgaged It to Fund ‘Something Strange Happened to Me’

V

Cédric Kahn on Immersing Himself in an Adolescent Psychiatric Ward for His Venice Competition Film ‘A Place to Heal’ (EXCLUSIVE)

V

Online Gaming Drives the Search for a Missing Roommate in Dong Jie’s Venice Critics’ Week Debut ‘Zoom In, Zoom Out,’ Clip Unveiled (EXCLUSIVE)

V

Venice Market Chief Pascal Diot Says He’s Not Affected by New Toronto Market: ‘Not What the Industry Wants Now’

V

‘Monsters of God’ Finale Twist: The Final Boss and Rogue Special Agent

V

Pablo Torre Sounds Off on the NBA’s Historic Ruling Against the Clippers, Kawhi Leonard and ESPN — and Teases His Next Big Sports Investigation

V

‘Marriagetoxin’ Creators Joumyaku and Yoda Mizuki Tease Season 2: ‘There Is Plenty of Cool Action We Want You to See’ (EXCLUSIVE)

V

Shakira, Romeo Santos, Prince Royce Among Top Winners at Premios Juventud 2026

V