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Variety

Nashville Airport Could Be Renamed for Dolly Parton, Tennessee Governor Announces

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Everything We Know About ‘Grand Theft Auto VI’

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Hooters Restaurant Movie in the Works — Film News in Brief

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LISTEN: Holywater Tech Chief Bogdan Nesvit on the Explosive Growth of Microdramas: ‘Studios and Creators are Knocking on Our Doors’

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Gladys Knight Cuts Back on Performing as She Transitions to ‘Next Stage’ of Career and Life

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Disney+, Pokemon Company Ink Global Distribution Deal, Including New Stop-Motion Series

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Rafael Manuel on Why the Golf Course in ‘Filipiñana’ Is a Metaphor for Inequality in the Philippines

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Owen Thiele on Portraying Queer Friendship in ‘Adults,’ Working With Connor Storrie and Being a ‘Nepo Grandchild’

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Tom Hardy Gets X-Rated About Kathy Bates, Raps About Willem Dafoe’s Green Goblin and Recites Shakespeare on His Wild New Album

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SCAD Savannah Film Festival Returns for 29th Year

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How ‘Idiots’ Director Macon Blair Conjures Big Laughs From the Year’s Cruelest Villain: ‘He’s Actually a Monster That Has to Be Captured Before More People Get Hurt’

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Payal Kapadia, Neeraj Churi, Subhadra Mahajan Among Talent Behind SASO, IFFSA-Backed South Asian Toronto Market Projects (EXCLUSIVE)

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Meg Stalter on ‘Oh, Mary’, Advice for Bowen Yang and Preparing Her Emmys Red Carpet Look With Paul Downs: ‘It’s in the Works’

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Sting-Narrated Documentary About ‘The Godfather,’ ‘La Dolce Vita’ Composer Nino Rota Boarded by Global Constellation (EXCLUSIVE)

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Online Sleuthing Is Out of Control, and the Vitriol Against Patrick Clancy Proves It

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Not Your Daddy’s Films Expands With Film Independent as Fiscal Sponsor (EXCLUSIVE)

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Netflix Orders ‘Manifest’ Spinoff ‘Arrivals,’ With a New Mystery and Cast — Announced on 8/28, Of Course

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Edinburgh TV Festival Takeaways: YouTube’s Rise, Commissioning Landscape and Move to Manchester

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HBO Max Banks on Upcoming Genre Thriller ‘Mataviejitas: The Serial Killer’ (EXCLUSIVE)

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Larenz Tate Boards Vault, New Streaming and Distribution Platform for Indie Filmmakers (EXCLUSIVE)

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Kirill Sokolov to Direct Animated Feature ‘Alone in the Ocean,’ About Freediver Slava Kurilov’s Famed Escape From Soviet Union (EXCLUSIVE)

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Tatiana Huezo, Elisa Miller Bring New Films to the Morelia Film Festival’s 12th Impulso Morelia

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Apple TV Hikes Price of Streaming Service in U.S. Effective Immediately

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Ali G Movie Backlash Intensifies in the U.K. as Campaigners Try to Get Film Pulled From Cinemas

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Pink Floyd’s Roger Waters, Nobel Prize Winner Annie Ernaux and More Sign Open Letter Calling for Venice Film Festival to Take ‘Concrete Action’ in Support of Palestine

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BBC Names Chris Sussman Director of Comedy

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Who’s Afraid of Film Festivals? After Politics Rattled Berlin and Shook Up Cannes, Venice Braces for Impact

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Gangland Action Thriller ‘Nozem’ From Director Scott Vickers to Star Buddy Boerkoel, Daniel Fathers (EXCLUSIVE)

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Nicola Coughlan, Matt Lucas, Hugh Bonneville and More Back Campaign Against AI Voice Cloning: ‘An Existential Threat to Our Entire Industry’

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Joachim Trier’s ‘Sentimental Value’ Drives Arthouse Success From Taiwan to Romania as Distributors Reveal Nordic Playbook

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Sabu Unpacks ‘Arrested Memory’ Ahead of Venice, Toronto Bows as Trailer Debuts (EXCLUSIVE)

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‘The Bothersome Man’ Director Jens Lien Tackles Automation Anxiety in ‘Joe’s Assignment’ (EXCLUSIVE)

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Txintxua Films Boards ‘This Is the Memory,’ a San Sebastián Forum Title From Berlin First Feature Winner Martínez Bucio (EXCLUSIVE)

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Cronenberg Meets Activism in Victor Di Marco and Márcio Picoli’s Queer BDSM Drama ‘London’

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Oscars: Ireland Selects Damian McCann’s Heist Thriller ‘Aontas’ for International Feature Race

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‘The Whisper Man’ Review: Diverting Netflix Serial Killer Chiller Doesn’t Demand Much of Robert De Niro

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Fan Bingbing, Kim Jeewoon, Hong Kyung-pyo Curate Busan’s Carte Blanche as Festival’s Story Market Adds Thai Remake, Hong Kong Titles

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Australian Supernatural Horror ‘Effigy’ Wraps, Unveils First Looks (EXCLUSIVE)

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Kareena Kapoor Khan, Prithviraj Sukumaran’s ‘Daayra’ to Launch Junglee Pictures-Pen Studios Slate Partnership (EXCLUSIVE)

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Inside ‘Married at First Sight’ Season 20: How Peacock’s Changes Led to 1.8 Billion Minutes Viewed, That Wild Reunion and Why Lindsay Hubbard Said No to the Show

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