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Variety

Audible’s ‘Exoplanet’ Sci-Fi Thriller From ‘Project Hail Mary’ Author Andy Weir Stars Anthony Mackie, Ariana DeBose, John Leguizamo

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Peter Chan’s Toronto-Bound ‘The Road Not Taken’ Boards Moebius Entertainment for International Sales

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Jeremy Strong Wrote to Mark Zuckerberg After Being Cast in ‘Social Reckoning’ Even Though ‘He’s a Reviled Person’; Actor Spent 7 Months Talking in Polish Accent for Next Role

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‘The Best Mother in the World’ Standout Shirley Cruz to Star in Clara Ferrer and Tainá Bevilacqua’s Trans Coming-of-Age ‘The She-Devil’ (EXCLUSIVE)

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Beatrice Gibson Questions Motherhood and Womanhood in Her Debut Feature ‘At Night’

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‘Wandering Trees’ Review: Iconoclastic Director Salvatore Mereu Tries a Newly Minted Fairyale, but Only Fitfully Finds Magic

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Alex Cooper and Matt Kaplan’s Unwell Media Company Valued at $500 Million After Investment From Patrick Whitesell’s WTSL

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AI Music Generator Suno Strikes Licensing Deal With BMG as It Preps New Label-Backed Models

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‘SNL U.K.’ Season 2 Sets September Date

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‘In Flames’ Director Zarrar Kahn Returns to Toronto With Gym-Incel Rom-Com ‘The Lion Does Not Concern Himself,’ Trailer Unveiled (EXCLUSIVE)

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U.K.’s Largest Harry Potter Store Opening in London Ahead of HBO Series Launch

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AI-Generated Turkish Series ‘Castle Walls’ Launches on Prime Video in What Is Being Touted as a Worldwide Streaming First – Trailer (EXCLUSIVE)

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Oscar Nominee Barkhad Abdi, Jim Deddes Lead Teddy Cherim’s ‘Maalstroom’; First-Look Image Released (EXCLUSIVE)

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Caleb Landry Jones on the Five-Year Battle to Make ‘Down the Arm of God,’ Confronting Prejudices Against Homelessness and How Luc Besson Saved the Film

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Hansal Mehta, Siddharth Bodke on ‘Scam 2010’ as First Look Unveiled for SonyLIV Series: ‘A Story About Ambition, Influence and Arrogance’ (EXCLUSIVE)

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WGA Slams David Ellison’s Plan to Pull Paramount From California: ‘This Type of Behavior Is Precisely Why the Merger Should Be Blocked’

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Jenna Ortega ‘Would Go All Day’ Without Food or Water as a Child Star to Make Sure She Wasn’t ‘In the Way of Anybody’

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‘The Brink of War’ Review: Reagan and Gorbachev Engage in Unengaging Verbal Battle

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