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Variety

Thai Pitch at Cannes Unveils Three Projects for 11th Edition, Led by Ekachai Uekrongtham’s WWII Drama (EXCLUSIVE)

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Elevate Production Finance and Privata Capital Join Forces on New Indie Film Fund (EXCLUSIVE)

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Gummybear International and Toonz Mark 20 Years of Gummibär With Feature Film Set for 2027 (EXCLUSIVE)

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‘The Fear of 13’ Broadway Review: Adrien Brody and Tessa Thompson’s Dynamic Performances Rein in a Tonally Bumpy Play

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Netflix Latin America’s Francisco Ramos Says: ‘I Believe It’s Crucial for Talented People to Feel They Can Succeed in Their Own Country’ (EXCLUSIVE)

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Steven Spielberg Warns Hollywood Must Invest in Original Stories or Movies Will ‘Run Out of Gas,’ Debuts Eerie New ‘Disclosure Day’ Trailer at CinemaCon

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‘American Pie’ Star Shannon Elizabeth Joins OnlyFans After Hollywood ‘Controlled the Outcome of My Career’: ‘This Is About Changing That’

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‘Lorne’ Review: Just When You Thought You Were Done Looking Back at ‘SNL,’ Morgan Neville’s Puckishly Playful Lorne Michaels Doc Completes the Picture

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Robert Eggers’ ‘Werwulf’ Trailer Shocks CinemaCon With Aaron Taylor-Johnson’s Naked Transformation and More Gothic Horror in ‘Nosferatu’ Follow-Up

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‘Focker In-Law’ Trailer: Ariana Grande Infiltrates Ben Stiller and Robert De Niro’s Dysfunctional Family

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‘Lord of the Flies’ and ‘Spartacus: House of Ashur’ Screenings Among Programming Added to SeriesFest’s 2026 Lineup (EXCLUSIVE)

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‘The World of the Married’ Director Mo Wan-il Sets Netflix K-Drama ‘The Facade of Love’ With Lee Dong-wook, Jeon So-nee, Jung Yu-mi

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‘Baywatch’ Reboot: Erika Eleniak to Reprise Role of Shauni McClain

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