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‘The Sandbox’ Doc Director on Her “Story About Power” and Hope to Make Us Think About How We Choose to Use, or Not Use, Technology as a Tool

Michael B. Jordan’s Advice to Fellow Artists After Oscar Win: “Dream Big and Be Kind”

Zhang Ziyi, Liu Haoran, Terrance Lau Receive Special Honors at Stripped-Down Asian Film Awards

Oscars: Timothée Chalamet’s Best Actor Snub, Ballet-Opera Jokes and Date Night With Kylie Jenner

Oscars Snubs and Surprises: ‘Marty Supreme’ Shut Out Amid Unexpected Documentary Feature Win and Short Film Tie

Paul Thomas Anderson Addresses Criticism Around Portrayal of Black Women in ‘One Battle After Another’ Following Oscar Win

‘One Battle After Another,’ ‘Sinners’ Help Warner Bros. Tie Record for Most Oscar Wins by Studio

Most Memorable Moments at 2026 Oscars: Conan O’Brien Rapid-Fire Jokes, Iconic Reunions and Dazzling Performances

Oscars 2026 Snack Tradition Continues: What Food Was Under Guests’ Seats?

Paul Thomas Anderson Says “Let’s Have a Martini” as ‘One Battle After Another’ Wins Best Picture

‘One Battle After Another’ and Paul Thomas Anderson Dominate an Oscars Packed With First-Timers

How the ‘Where the Silence Is Heard’ Co-Directors Confronted Inherited Trauma in a Chilean Family

‘Something Familiar’ Director on Her Very Personal Hybrid Doc About Overcoming Trauma and Giving Herself “the Gift of the Archetypal Mother”

Box Office: Neon Touts ‘Sentimental Value,’ ‘Secret Agent’ and a Myriad of Other Milestones on Eve of Oscars

Paramount Not Moving Forward With ‘G.I. Joe’ Treatment From Max Landis

Box Office: ‘Hoppers’ Stays No. 1 With $28.5M, ‘Reminders of Him’ Opens to Romantic $18.3M

‘The Secret Reading Club of Kabul’ Follows Young Afghan Women, Inspired by Anne Frank, Defying the Taliban: “They Want to Be Heard and Seen”

How ‘Arctic Link’ Brings the Internet, and Digital Change, to Life on an Epic Scale

‘Whispers in May’ Blends Doc and Improv Into a Magical Journey From Girlhood to Womanhood

Razzie Awards Winners: Ice Cube Starrer ‘War of the Worlds’ Named Worst Picture of the Year

‘Last Movies’ Director on “Remapping” the 20th Century via Celebrities’ Final Film Experiences

Kate Hudson Accepts Special Honor at ICG Publicists Awards as ‘Sinners’ and ‘The Pitt’ Take Top Prizes

Adrian Grenier Calls It “Disappointment” to Not Return for ‘Devil Wears Prada 2,’ Blames Backlash to Character

Oscars Predictions via Feinberg Forecast: Scott’s Final Picks

‘Something Is Killing the Children’ Novel Coming This Fall (Exclusive)

Kevin Feige on Avoiding Internet Discourse and the Last Time He Saw Chadwick Boseman

Rosamund Pike Feared ‘Doom’ Movie Was Career-Ender: “It Was a Catastrophe”

More Than $116 Million Has Already Been Bet on the Oscars — and It’s Only Friday Afternoon

Steven Spielberg on UFOs: “I Have a Strong Suspicion We’re Not Alone on Earth Right Now”

Boots Riley’s ‘I Love Boosters’ Is So Wild, Keke Palmer Is Rewatching Her Work for the First Time

The Hollywood Reporter and Bvlgari Celebrate Distinguished Costume Designers and This Year’s Oscar Nominees

War Games About AI: ‘Intelligence Rising’ Explores Promises, Perils and the Tool Vs. Agent Debate

‘Amazomania’ Reexamines a Decades-Old Film About the First Contact Made With the Korubo Tribe in Brazil and the “White Man’s Gaze”

‘Something Familiar’ Is a Journey Into Family Bonds and Trauma That Usurps Narratives About Romanian Orphans (Exclusive CPH:DOX Trailer)

‘Burning Voice’ Goes Inside Tamara Amer’s Fight for Iraqi Women’s Rights: “I Won’t Shut Up”

LaTanya Richardson Jackson Sends Message to “Wake Up, Stay Woke” at Essence Black Women in Hollywood

Kevin Williamson Says He Won’t Return to Direct ‘Scream 8’

Boulder Int’l Film Fest: Alec Baldwin Set for Live Episode of THR’s ‘Awards Chatter’ Podcast

Andrea Bocelli Tells Timothée Chalamet to Listen to Opera Music to Understand Why It “Continues to Be Loved”

Jenna Ortega-Taylor Russell ‘Single White Female’ Remake Lands ‘Bodies Bodies Bodies’ Writer Sarah DeLappe

THR’s Guide to the Oscars: Everything You Need to Know Before Sunday’s Show

‘KPop Demon Hunters’ Sequel Officially a Go From Netflix, Sony With Directors Maggie Kang and Chris Appelhans Returning

Danielle Lauder Launches Film Outfit Under Act 4 Artists Banner (Exclusive)

Aaron Pierre Joins DC Studios’ Superman Sequel ‘Man of Tomorrow’

How to Watch the Oscars 2026 Around the World

Next Narrative Africa Fund Unveils First Slate Featuring Trevor Noah, Rapman and André Holland

Movie Stars Wanted. No Experience Necessary

Phoebe Dynevor’s Shark Movie Gets New Title, First Trailer After Pivot to Netflix

‘The Cord’ Portrays a “Maternity Warrior” in a Timely Doc Steeped in Solidarity and Sisterhood