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Zoey Deutch Plays Jean Seberg in Richard Linklater’s ‘Nouvelle Vague’ Trailer From Netflix

TIFF Flashback: Newbie Keanu Reeves Was ‘The Prince’ of Toronto

Guillermo del Toro’s Next Act: “I’m in the Regret Decade”

Stuart Craig, Oscar-Winning Production Designer on ‘Harry Potter’ and ‘Fantastic Beasts’ Films, Dies at 83

Stephen King Reveals His Top 10 Favorite Movies of All Time

Ayo Edebiri Says #MeToo, Black Lives Matter Work “Not Finished” in Viral Interview Exchange

Edward Faulkner, Actor in John Wayne and Elvis Presley Films, Dies at 93

Gigi Hadid Reveals That She Auditioned for ‘Tangled’ Live-Action Remake

Dwayne Johnson Says He Told Benny Safdie “I’m Your Chicken Man” for ‘Lizard Music’ Movie

Yoo Ji-tae, Tony Revolori and Gia Kim Join Paramount and Hybe America’s K-Pop Movie (Exclusive)

Ryan Reynolds Going on Tour for John Candy Doc

Ayo Edebiri, Olivia Colman, Mark Ruffalo and Yorgos Lanthimos Back Boycott of Israeli Film Institutions

Cate Blanchett to Star in, Produce Alice Birch’s ‘Sweetsick’

Blair Underwood Is a Tough Hockey Dad in Remake of ’80s Brat Pack Favorite ‘Youngblood’

Daniel Craig Returns to Solve “Impossible Crime” in ‘Wake Up Dead Man’ Trailer

Agnieszka Holland on Kafka Drama ‘Franz’

Toronto: Jafar Panahi Calls for a World Where “We’re All Free” Amid Authoritarian Threats

Toronto: Director of Reinstated October 7 Documentary Says He Feels Vindicated But “Battered”

Tokyo: Junji Sakamoto’s ‘Climbing for Life’ to Open Festival

David Mackenzie and Aaron Taylor-Johnson on How ‘Fuze’ Is “Unrepentantly” Entertaining

Toronto Awards Analysis: Bill Skarsgard Could Be a Contender for Gus Van Sant’s Sales Title ‘Dead Man’s Wire’

How Ontario Aims to Lead the World in Sustainable Filmmaking

Donna Langley on the Letterboxd Generation and Being “Sorry” About Sending ‘Fast & Furious’ to Space

Why Bill Nighy Won’t Watch ‘& Sons’ Ahead of Toronto Fest World Premiere

Can TIFF’s Content Market Compete With AFM and Cannes?

Why Cillian Murphy Swapped ‘Oppenheimer’ Bombast for Quiet Drama in ‘Steve’

From Folklore to Film Sets: Inside Newfoundland’s Production Boom

Oscar Doc Winner Daniel Roher Reveals “Secret Weapon” While Directing Narrative Debut ‘Tuner’

Toronto Awards Analysis: For ‘Roofman’ and ‘Rental Family,’ Channing Tatum and Brendan Fraser Join a Crowded Best Actor Field

Toronto: Rian Johnson Takes Latest ‘Knives Out’ Mystery “Back to Church”

James Vanderbilt on Pitting Russell Crowe Against Rami Malek in TIFF Thriller ‘Nuremberg’

Venice Film Festival Awards: Jim Jarmusch’s ‘Father Mother Sister Brother’ Wins Golden Lion

Toronto: Why Canadian Indigenous Filmmakers Are Having a Moment

Signature Acquires U.K., Irish Rights to David Dastmalchian and Ashley Greene’s Psychological Horror ‘The Cure’ (Exclusive)

Guillermo Del Toro’s ‘Frankenstein’ Is a Monster Made in Canada

Toronto: Inside Netflix’s ‘KPop Demon Hunters’ Karaoke Party

Toronto Film Festival: THR’s Studio With Matthew McConaughey, America Ferrera, Cillian Murphy, Paul Mescal and More

Toronto Awards Analysis: Like It Or Not, Sydney Sweeney Has Joined the Best Actress Oscar Race for ‘Christy’

Sydney Sweeney Details Her ‘Christy’ Physical Transformation: 3 Months of Training and Chick-fil-A

Ryan Reynolds on Being a Canadian in Hollywood: “I’m Not MAGA. I’m Not Extreme Anything”

Havana Rose Liu Had Weeks to Become a Pianist for TIFF Heist Movie ‘Tuner’

George Lucas and the Making of ‘Star Wars’ Get the Graphic Novel Treatment with ‘Lucas Wars’ (First Look)

Djimon Hounsou Joins Henry Cavill in ‘Highlander’ Remake (Exclusive)

THR Returns to TIFF With Editorial Portrait Studio and Video Lounge Launching Today

Fede Alvarez Will Not Direct ‘Alien: Romulus’ Sequel

Edward Berger on ‘Ballad of a Small Player,’ Spritzing Colin Farrell and the Status of His ‘Bourne’ Movie

Sean Penn Joins Dardenne Brothers, Walter Salles as Executive Producer on Brazil’s ‘Manas’

Eli Roth and Snoop Dogg’s ‘Don’t Go in That House, Bitch’ Horror Pic Co-Financed By MCT

James McAvoy Talks Fake Scottish Rappers Conning the World in ‘California Schemin’

‘Conjuring: Last Rites’ Jolts Box Office Back to Life With Colossal $83M U.S. Bow, $187M Globally