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Japanese Anime ‘Hypnosis Mic’ Proves an Interactive Movie Can Be a Box-Office Hit

Filmart: Well Go Takes U.S. Rights to Korean Crime-Thriller ‘Yadang: The Snitch’ Starring Kang Ha-neul (Exclusive)

Maika Monroe Set to Star in Colleen Hoover Adaptation ‘Reminders of Him’

Rachel Zegler Talks Diversity, ‘Snow White’ Lessons for Future Generations: “I Hope We’ll See a New Dawn of Kindness and Acceptance”

Gwyneth Paltrow Jokes About Having “a Lot of Sex” Scenes With Timothée Chalamet in ‘Marty Supreme’: “I’m 109 Years Old. You’re 14”

NATO No More: Theater Owners Org Renamed Cinema United

Carole D’Andrea, ‘West Side Story’ Actress on Stage and Screen, Dies at 87

Darren Aronofsky Circling to Direct New ‘Cujo’ Movie

Chris Evans and Pedro Pascal Vie for Dakota Johnson’s Affection in ‘Materialists’ Trailer

Adam Sandler Returns to the Golf Course in Trailer for Netflix’s ‘Happy Gilmore 2’

Filmart: Road Pictures Picks Up Anime Blockbuster ‘Mobile Suit Gundam GQuuuuuuX: Beginning’ for China (Exclusive)

Filmart: Taiwan Creative Content Agency Makes Global Film Push

Filmart: 5 Buzzy Titles Turning Heads in Hong Kong

Tim Roth on How Trump Will Impact “Films of Consequence” and His “Healthily Messy” Career

‘Saw XI’ Stalled Amid “Inter-Squabbling”

Colin Farrell in Talks to Star in ‘Sgt. Rock’ for DC Studios

Scott Eastwood Joins Allison Williams in Colleen Hoover Movie ‘Regretting You’ for Paramount

‘Tracker’ Creator Ben H. Winters Tackles Comics with Sci-Fi Mystery ‘Benjamin’ (Exclusive)

How Neon’s ‘Hell of a Summer’ From Finn Wolfhard and Billy Bryk Was Inspired by Their Acting Work

‘The Wedding Banquet’ Trailer: Bowen Yang, Lily Gladstone and Kelly Marie Tran Star in Rom-Com Reimagining

Émilie Dequenne, Star of Palme d’Or Winner ‘Rosetta,’ Dies at 43

Oscars: Conan O’Brien to Return as Host in 2026

Hillary Clinton-Produced Ukraine Doc ‘The Cranes Call’ Gets Release on Gathr (Exclusive)

Filmart: How the China-Led “Vertical Film” Movement Wants to Upend the Way We See Cinema

Hong Kong Film Fest to Open With Japan’s ‘The Brightest Sun,’ Co-Production ‘Pavane for an Infant’

Anime Heavyweights Aniplex, Crunchyroll Co-Launch Production Company Hayate

Fifth Season Sells Japanese Blockbuster ‘Godzilla Minus One’ to Broadcasters Across the Globe

‘September 5,’ ‘Seed of the Sacred Fig’ Lead German Film Award Nominations

Filmart: Josie Ho Teams Up With Newcomer Iman Taheri for Extensive 852 Films Slate (Exclusive)

Filmart: Aaron Kwok to Star in Comedy-Drama ‘IOU’

China’s $2B Blockbuster ‘Ne Zha 2’: One-off Hit or Beginning of a Box Office Recovery?

Filmart: HKIFF Industry Looks to Expand on China’s Animation Boom

‘Snow White’ First Reactions Praise Remake: “A Big Surprise,” Rachel Zegler “Stuns”

Box Office: ‘Novocaine’ Tops Worst Weekend of Year With $8.7M as Audiences Numbed By New Offerings

Box Office: ‘Novocaine’ Tops Slowest Weekend of Year With $8.7M as Moviegoers Numbed By New Offerings

Asian Film Awards: ‘All We Imagine as Light’ Wins Best Picture, Yoshida Daihachi Takes Best Director for ‘Teki Cometh’

Jenna Ortega Says She’s “Moved on” From Marvel After Appearing in ‘Iron Man 3’ “for a Quick Second”

Julia Stiles Says She Felt “So Slimy” During Harvey Weinstein-Led Reshoots for ‘Down to You’

Rachel Zegler and Gal Gadot Premiere ‘Snow White’ in High Spirits Amid Controversies

‘The New Year That Never Came’ Wins Top Award at 15th Luxembourg City Film Festival

2025 ACE Eddie Awards: ‘Wicked,’ ‘What We Do in the Shadows’ Among Winners

‘Snow White’ Actor Responds to Disney Movie’s Premiere Pivot: “They’re Afraid”

‘Heart Eyes’ and the Surprising Love Found in the Slasher Genre

New ‘Starship Troopers’ Movie in the Works from ‘District 9’ Filmmaker Neill Blomkamp (Exclusive)

Eli Roth Launches The Horror Section Production Studio, Invites Fans to Become Investors (Exclusive)

What Really Happened on the Set of ‘Anora’?

‘Freakier Friday’ Trailer: Lindsay Lohan and Jamie Lee Curtis Return to Swap Bodies Over Two Decades Later

Taylor Russell, Jenna Ortega in Talks for ‘Single White Female’ Remake

Director Désirée Nosbusch Brings ‘Poison,’ Roth and Dyrholm Home, Recalling Mel Brooks’ Advice

Albert Serra Likes to Create Chaos to Make Films, Like His Bullfighting Doc, “A Real Experience”