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Kate Winslet to Make Directorial Debut With ‘Goodbye June’ for Netflix

‘Wicked’ Star Jeff Goldblum Plays Piano During BAFTA Film Awards In Memoriam Segment

Take That Lights Up BAFTA Film Awards Stage With ‘Anora’ Hit “Greatest Day”

BAFTA Awards: David Tennant Draws Applause With Donald Trump Joke in Opening Monologue

BAFTA Film Awards: ‘Conclave’ (Best Film), ‘The Brutalist’ (Best Director and Actor) Win Four Each

‘Captain America’ Box Office: ‘Brave New World’ Opens to Bullish $100M in U.S., $192M Globally

Composer Matthew Herbert Shares What Makes a Good Score and Why He Didn’t Use Spanish Music for ‘Hot Milk’

Berlin Flashback: Richard Linklater and Ethan Hawke’s ‘Before Midnight’ Threepeat

Why Is Cloud9 Studios’ Pia Patatian So Bullish on the Indie Film Business?

South Korean Director Min Kyu-dong Does Not Miss

Berlin Hidden Gem: An Outcast + ‘Matrix’ Nods + Spaghetti Tradition = ‘How to Be Normal…’

‘Wicked,’ ‘Nosferatu,’ ‘Penguin,’ Win at Art Directors Guild Awards

Hong Kong Filmart’s IP Platform Expansion Aims to Create an Online Marketplace

Lights, Camera, Anxiety: International Film World Frets Over Trump’s Next Move

‘Wicked,’ ‘The Substance,’ ‘The Penguin’ and ‘Palm Royale’ Among Make-Up and Hair Stylists Guild Winners

The Miraculous Absurdity of Romanian Trouble Maker Radu Jude

2025 Writers Guild Awards: Winners List

Pete Davidson Wants Ex-Fiancée Ariana Grande to Win ‘Wicked’ Oscar: “It’s All Love”

Rose Byrne, Mary Bronstein on ‘If I Had Legs I’d Kick You’: “This Project Started From a Very Low Place”

Maya Hawke Says Some Producers Cast Based on Actors’ Amount of Social Media Followers

Berlin: Bong Joon Ho Says ‘Mickey 17’ Villain Was Modeled on Past Dictators But May Remind Viewers of Present-Day Political Leaders

In ‘1001 Frames,’ an Iranian-American Director Explores Power Imbalances and #MeToo

Berlin Rising Star Théodore Pellerin Is Making a Lasting Impression in Buzzy ‘Lurker’

Berlin Flashback: Robert Pattinson Brought ‘Bel Ami’ to the Berlinale

Timothée Chalamet and Kylie Jenner Share a Kiss in Berlin at Valentine’s Day Premiere of ‘A Complete Unknown’

Berlin: Amanda Plummer and Barkhard Abdi in Uwe Boll’s Refugee Thriller ‘Run’ (Exclusive Trailer)

In ‘The Devil Smokes,’ the Line Between Reality and “Something Darker” Is Blurring (Exclusive Trailer)

‘Bedrock’ Goes Face to Face With People Living on Holocaust Sites in Poland (Exclusive Berlin Trailer)

Yao Chen’s Bad Rabbit Pictures Puts Its Faith in the Next Generation

Geneviève Page, Actress in ‘Belle de Jour,’ ‘El Cid’ and ‘The Private Life of Sherlock Holmes,’ Dies at 97

Cillian Murphy, Demi Moore, Saoirse Ronan (Twice) Among Irish Film & TV Awards Winners

Benedict Cumberbatch Replaces Tom Hardy in Cary Fukunaga’s Crime Thriller ‘Blood on Snow’ (Exclusive)

‘Nights’ Animated Series in the Works Based on Image Horror Comic (Exclusive)

‘Goonies’ Sequel in the Works With Steven Spielberg and Chris Columbus Producing

Mia Goth Joins Matt Damon in Christopher Nolan’s ‘The Odyssey’

‘Köln 75’ Star John Magaro on Being “a Working Class Actor,” Owing So Much to James Gandolfini

The Armie Hammer Comeback Has Begun (Sort of)

‘Captain America’ Box Office: ‘Brave New World’ Soaring to Pleasing $90M-$96M U.S. Opening

‘Mother’s Baby’ Director Johanna Moder Isn’t Afraid to “Go Somewhere Where It Hurts”

Berlin Succumbs to Chala-Mania as Timothée Dodges Politics but Warns of “Cult-Like Figures”

‘Das Boot’ Series Director Returns to Film With Berlin Panorama Opener ‘Welcome Home Baby’

Fiona Shaw, Emma Mackey, Rebecca Lenkiewicz Talk Failure and Assisted Dying in Berlin Film ‘Hot Milk’

Toronto 2026 Content Market Advisory Committee Named

Berlin Flashback: When Timothée Chalamet Was a Complete Unknown at the Berlinale

Berlin According to…’Paul’ Director Denis Côté

Killer Films’ Christine Vachon Says Return of Trump “Lends a Sense of Urgency” to Stories We Tell

Canada Focus Unveiled for Locarno Pro’s First Look Initiative

Tilda Swinton Says She’s Taking a Break From Making Movies

Berlin Hidden Gem: ‘Evidence’ Examines the Insidious Power of Institutional Money

Wild, Weird and Bloody: The Berlinale Shines a Light on Forgotten German Genre Films of the ’70s