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Ariana Grande Open to Performing at the Oscars With Cynthia Erivo: “Say the Word and We’ll Be There”

Marvel Veteran, ‘Black Panther’ Producer Nate Moore Leaving Studio

Oscars: International Shortlist Snubs and Surprises

Oscar Shortlists Analysis: What It Means That ‘Emilia Pérez’ Nabbed a Field-Leading Six Spots But ‘Anora’ Was MIA

Amazon Lands Dark Comedy Book ’200 Monas’, Imagine to Produce (Exclusive)

Academy Unveils Shortlists in 10 Oscar Categories

‘Beyond the Spider-Verse’ Sets Directors Bob Persichetti and Justin K. Thompson

Ben Schwartz Reflects on “Ugly Sonic” Start to Franchise: “A Film That Really Listens to Fans”

Titan Submersible Implosion Documentary in the Works

Cate Blanchett, Michael Fassbender Play Spy Games in Steven Soderbergh’s ‘Black Bag’ Trailer

Whitney Cummings Details “Horror Audition” for Francis Ford Coppola’s ‘Megalopolis’: “It Was Just So Humiliating”

‘Karate Kids: Legends’ Trailer Kicks Off a New Chapter

The Horror Collective Acquires ‘Do You See Me?’ Amid Revival of Clown-Themed Scary Movies

‘Bluey’ Hitting The Big Screen: Feature Film in the Works From Disney, BBC Studios

Berlin Sets Michel Gondry Animation Film for 2025 Generation Lineup

Berlin: New Films From Ira Sachs, Denis Cote Set for Panorama Lineup

Berlin International Film Festival Unveils First Gala Screenings

IFFR Unveils 2025 Lineup, Cate Blanchett and Guy Maddin to Headline Rotterdam Talks

‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry

‘Bicentennial Man’: THR’s 1999 Review

‘Red One’ Lands Amazon’s Biggest Streaming Debut

‘Scream 7’ Sets Mason Gooding to Return for Horror Sequel

American Cinematheque to Honor Artists Behind ‘Wicked,’ ‘Dune: Part Two,’ ‘Challengers’

From the Brink to the Big Screen: How the Looney Tunes Film Defied the Odds

Where to Stream ‘Anora’ Online

‘Wicked: Part 2’ Lands New Title Ahead of 2025 Release

‘Awards Chatter’ Pod: Jude Law on ‘The Order,’ Anthony Minghella and the Challenge of “Changing the Narrative of a Public Persona”

Florence Pugh Says It’s “Exhausting” Being a Woman in Industry, Calls Out Beauty Standards

Adam Kinzinger Tells Us Why He’s ‘The Last Republican’ in New Trailer (Exclusive)

‘Warfare’ Trailer Captures Navy SEALs in Deadly Iraq War Siege

‘Nickel Boys’ Named Best Picture of 2024 by Toronto Film Critics Association

BAFTA Cymru Appoints Lee Walters as Chair

Hollywood Flashback: Adrien Brody Hit High Notes With ‘The Pianist’

Zoe Saldaña Feels Actors Who Use CGI for Roles Are Often Overlooked for Awards

Kristin Chenoweth Defends ‘Wicked’ Against One Million Moms’ Movie Boycott

Chad Michael Murray Wants to Do a Christmas Movie With Lindsay Lohan

Ariana Grande Says She Went Through Her ‘Wicked’ Contract With Cynthia Erivo to Make Sure They Were “Aligned”

Hollywood Flashback: Steve Guttenberg Played Bachelor Santa in One of Hallmark Channel’s First Holiday Hits

Box Office: ‘Kraven the Hunter’ Bombs With $11M Opening, ‘Moana 2’ Crosses $700M Globally

‘Saturday Night Fever’: THR’s 1977 Review

Luke Wilson Says He’s “Always Pitching” ‘Idiocracy’ Sequel Ideas to Director Mike Judge

Jim Carrey Is Open to Returning for a ‘Mask’ Sequel: “It Has to Be the Right Idea”

Glen Powell at Center of Bidding War Over Erotic Thriller ‘Homewreckers’ (Exclusive)

Guy Pearce Says He Never Worked With Chris Nolan Again After ‘Memento’ Because a WB Exec Didn’t “Get” Him

Emerald Fennell’s ‘Wuthering Heights’ Gets 2026 Release Date

‘Barbie’ Sequel in “Early Stages” as Greta Gerwig and Noah Baumbach Settle on Story Idea (Exclusive)

Deadpool Creator Rob Liefeld’s Very Good, Very Lucrative Year

DC’s ‘Clayface’ Movie From Mike Flanagan Lands 2026 Release

‘Nosferatu’ Director Robert Eggers Thanks ‘SpongeBob’ for Introducing Young Audiences to Iconic Vampire

Where to Stream the New Documentary, ‘Elton John: Never Too Late,’ Online